I used to be a huge Beatles fan. Let's face it, they were super-talented and charismatic. They were always presented as being sweet, innocent, harmless, and fun. Yet over the years, I've noticed more and more negative influences they've had on society.
In the movie Help!, the Beatles sleep in bed "pits" underground, until they are "enlightened" by the sun.
Even in the early days, when the Beatles were singing innocent songs like "I Wanna Hold Your Hand" and "I'm Happy Just to Dance with You", they were already popping pills and sleeping with hookers in Hamburg brothels. In other words, they were already hypocrites.
Paul said "a girlfriend (in Hamburg) was likely to be a stripper, so to be suddenly involved with a hard-core striptease artist, who obviously knew a thing or two about sex... it was quite an eye-opener".
"Lennon later related a story to friends about how he had mugged a drunken English sailor in a Hamburg street for money, and after having beaten him so badly, he "left him for dead." (Wikipedia)
In the Beatles' early days, Stu Sutcliffe was on bass. He named the Beatles with John. John and Stu wrote this song together: "As I stood on the doorstep of romance, You told me, Then you threw your loving arms around me, and you gave me, yes gave me, you gave Peace of Mind...".
In 1962, at the age of 21, Sutcliffe died from a brain hemorrhage. His girlfriend Astrid Kirchherr wrote her mother: "(John) is in a terrible mood now, he just can't believe that darling Stuart never comes back. He's just crying his eyes out ... John is marvellous to me, he says that he knows Stuart so much and he loves him so much...".
Sutcliffe's sister Pauline Sutcliffe claims that John Lennon had a homosexual affair with her brother, and later beat him up out of guilt, and that she has proof. According to her, it was John's blows to the head that caused Stu's death a few weeks later. These theories would certainly explain Lennon's subsequent self-loathing, depression, rage, drug use, and spiritual seeking.
Others, including Stuart's mother Millie, say that Pauline is wrong and Stuart Sutcliffe was beaten up by thugs outside Lathom Hall, whom John helped to defend him against.
Have you ever noticed how all the major groups and artists are surrounded by premature deaths? The Beatles (Stuart Sutcliffe, Brian Epstein), The Rolling Stones, Robert Johnson, Bill Haley & the Comets, Buddy Holly, The Yardbirds, The Doors, Jimi Hendrix, Janis Joplin, The Grateful Dead, The Byrds, The Temptations, Deep Purple, T. Rex, Elvis Presley, Lynyrd Skynyrd, Chicago, Pink Floyd, The Who, The Sex Pistols, AC/DC, Joy Division, Led Zeppelin, Bob Marley, Ozzy Osbourne, The Pretenders, The Beach Boys, Marvin Gaye, Thin Lizzy, The Band Metallica, Rainbow, Styx, Red Hot Chilli Peppers, The Velvet Underground, Mother Love Bone, Steely Dan, Stevie Ray Vaughan, Creedence Clearwater Revival, Def Leppard, Small Faces, Guns N' Roses, Kiss, Queen, Steppenwolf, Black Sabbath, Nirvana, Hole, Blind Melon, Smashing Pumpkins, INXS, The Cars, The Ramones, Run-DMC, The Clash, The Bee Gees, Tom Petty & the Heartbreakers, Pantera, Crowded House, Boston, Bruce Springsteen & the E-Street Band, Marilyn Manson band, Manic Street Preachers, Michael Jackson, The Misfits, Amy Winehouse, Warrant, Weezer, Gwar, Beastie Boys, Whitney Houston, etc. This list does not even include family members or crew members.
They could all be accidental or natural. Then again, it almost seems like "Paying the Piper" is a Faustian prerequisite for success. John Lennon remarked to others more than once that he had sold his soul to the devil (eg. Ray Coleman, Lennon, p.256). So did Bob Dylan and many others.
Rumors about the extent of John's relationship with the Beatles' gay manager Brian Epstein in Spain are still not resolved. John himself said "...the rumors went around that he and I were having a love affair. Well, it was almost a love affair, but not quite. It was never consumated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was a homosexual [i.e. not his first experience with a homosexual]...I was rather enjoying the experience...I liked playing a bit faggy, all that. It was enjoyable...".
John wrote to his friend Pete Shotton "Eppy just kept on and on at me, until one night, I finally just pulled me trousers down and said to him: "Oh, for C-----'s sake, Brian, here, just stick it up me f---ing a---, then." And he said to me, "Actually, John, I don't do that kind of thing. That's not what I like to do." "Well," I said, "what is it you like to do?" And he said, "I'd really just like to touch you, John." And so I let him toss me off, and that was it...".
Incidentally, John grew up on "Menlove Avenue".
In the Movie How I Won the War, John Lennon's character was Mousketeer Gripweed (Disney + a drug reference). At one point, he remarks "May I rub your balls, sir? It gives me great pleasure".
The movie also uses blackface, using racism as a comedy device.
At the end of the movie, Lennon gets shot. He says "I knew this would happen. You knew it'd happen, didn't you?". This may be predictive programming.
Paul remarked "I liked that slightly faggy way we sang...which was very distinctive, very Beatley" (Miles 1997).
John's first musical group name was "The Black Jacks", a weapon for knocking people out. Then "The Quarry Men", because he went to Quarry Banks High. Then Johnny and the Moondogs (the moon is an occult symbol). Then the Nerk Twins (two days only). Then The Beatals. Then The Silver Beetles (silver is a symbol for the moon). Then The Silver Beats, then The Beatles, then The Silver Beatles, then The Beatles once again (thanks to http://www.iamthebeatles.com/article1409.html for this information).
The Beatles gestated in the Cavern Club and then rose up out of the underworld to conquer the earth. In the early days Stu Sutcliffe and Pete Best were more popular with the girls than Paul. After Stu died and Pete was eliminated, Paul became "the cute Beatle".
The name "Beatles" has an Egyptian occult meaning. In ancient Egypt, dung beetles (scarabs) rolling balls of dung (feces) were considered a symbol of the sun god Ra (the Sun King) rolling the sun across the sky every day. Scarabs also symbolized transformation, renewal, and resurrection.
Dung beetles feed exclusively on dung. Some also live in owl dung. Owls are a symbol of the occult (seeing in the dark). The female beetles also lay eggs inside the dung. This mysterious transformation of beetles out of dung also caused them to be revered by ancient Egyptians. They believed that the beetles gave birth without females, like hermaphrodites. In other words, the beetles wallowed in excrement but were worshipped by the masses anyway.
The beetles that roll dung balls are called "rollers". Beatle Paul McCartney had a song called "Let Me Roll It" (which is also a drug reference). The "Sgt. Pepper" cover had Bob Dylan ("Like a Rolling Stone") and a shirt with the message "The Beatles welcome the Rolling Stones". The earth on the cover looks like dung and has "Beatles" growing out of it.
Necrophorus or Sexton beetles (burying beetles) bury the remains of small birds and mice, covered in oral and anal secretions to prevent the smell of rotting flesh from attracting competition, for their larvae. The fur or feathers are used to feather their crypt. The parents may cull their young through infanticide to match the size of the carcass.
Lee Marvin's motorcycle gang in Marlon Brando's "The Wild One" (1953) was called The Beetles. The Beatles wore all leather in their early days, like a biker gang.
Betel nuts (Areca nuts wrapped in Betel leaves) are mild narcotics. John Lennon's favourite author, James Joyce, mentioned using Betel toothpaste in Ulysses in 1904.
Betelgeuse is the eighth brightest star in the sky, one of the largest and most luminous stars known, a staple of astrology.
Many Egyptian scarab beetle amulets have wings. Paul McCartney's first group was "The Beatles" and his second group was "Wings", so he was a "Beatle with Wings".
The Beatles' "hero", the mystic alcoholic horror writer Edgar Allan Poe, wrote "The Gold-Bug" about a skull-shaped golden scarab beetle which two men drop into a human skull to find Captain Kidd's skeleton-covered pirate treasure. The story is full of coded secret messages.
Paul McCartney's Coat of Arms, viewed from afar, also resembles a dung beetle. George Martin's Coat of Arms has three dung beetles on it.
Robert Whitaker, the man who took the notorious Butcher Cover photos for the Yesterday and Today album, said "All over the world I'd watched people worshipping like idols, like gods, four Beatles. To me they were just stock standard normal people. But this emotion that fans poured on them made me wonder where Christianity was heading". Whitaker had planned to put jewelled silver halos around the Beatles' heads, and use rainbow borders as well (the rainbow bridge again).
"Whitaker explained that (the) picture was intended to demonstrate that the Beatles were not an illusion, not something to be worshipped, but people as real and substantial as 'a piece of wood'..."The idolization of fans reminded me of the story of the worship of the golden calf." (Wikipedia)
The Butcher Cover was released on June 15th, 1966, or 6/6/66 in numerology (-Joseph Niezgoda).
"You've Got To Hide Your Love Away" was reportedly written by John about Brian Epstein's homosexuality, which was still illegal in Britain at the time, and possibly John's own as well.
On the Rubber Soul album, the song "Norwegian Wood (This Bird Has Flown)" is about an affair John had while married to Cynthia (one of many). He "sleeps in the bath" to hide the affair. Isn't it good, knowing she would?
In the song, the "bird" was rumored to be a lesbian.
It was the first pop song with a sitar, and the beginning of the path that led millions of Beatles fans to seek salvation through Eastern pagan gods. (There was also a sitar in the movie "Help").
On Rubber Soul, John also sings about being a "Nowhere Man". "Day Tripper" is a pun by John on a "day trip" and "tripping" on acid.
On "Girl", the boys seem to sing "tit-tit-tit" instead of "dit-dit-dit". The loud inhalation sounds were rumored to symbolize toking a joint. If you look at the sheet music, it actually says "Oooths" where John inhales. In 1970, John said the lines "pain (will) lead to pleasure" and "a man must break his back to earn his day of leisure" were jabs at the Roman Catholic Church.
On the final cut of the album, John threatens his girlfriend to "Run for your life...'cause if I catch you with another man, that's the end, little girl". John also admitted he was "cruel to (his) woman" and "beat her" (John's lines in "Getting Better"). Paul bumped off two girls and a guy in "Maxwell's Silver Hammer", but remember the Beatles were "all about love".
John hated his father Freddie for abandoning him as a baby, yet that is exactly what John did to his son Julian as a baby. John remarked that his son had "...come out of a whiskey bottle on a Saturday night, stuff like that. You think, where's the love in that?" (Julian, Scotsman.com, January 2009). Julian said that "As a father, I don't have much respect for him, and as a person...the message is not the person...it's almost hypocrisy, in a sense. He gave more love to the World than he gave to me, put it that way".
Julian says he only saw John about eight to twelve times after John and Cynthia separated when Julian was three, yet sometimes "He would scare the living daylights out of me and it has affected me in life. If I tried to enjoy life, I'd be told off...I used to smile alot and laugh alot and I really got shouted at heavily for enjoying life...I've only just broken through it in the last couple of years, I wouldn't laugh, I wouldn't smile" ("Pop & Me" dvd, 1999).
John didn't leave his son a penny in his will. Beatle fans tell Julian every day how wonderful his father is and he gets annoyed because he wasn't wonderful to him.
So John "Peace and Love" Lennon abandoned his young son and then verbally abused and terrorized him many of the rare times that he saw him afterwards, when all Julian wanted was a kiss and a hug from his own father. Does this sound like a proselytizer of love to you? Paul was more of a father to Julian than John was, and wrote "Hey Jude" to cheer Julian up (originally "Hey Jules"). Paul and Julian are still friends.
"In August 1963, at the Beatles' first major television appearance at the London Palladium, newspapers reported that police had to hold back "1,000 squealing teenagers", but the story was fabricated. The newspaper photo actually only tightly cropped three screaming teenagers and claimed it was a thousand. One reporter who was there later said there were less than eight girls present. There was no "riot" by frenzied teenage girls."
"Similarly, "Beatlemania" hysteria was manufactured at JFK Airport in February of 1964 when the Beatles arrived in the USA to perform for the Ed Sullivan Show."
"Busloads of girls from a Bronx school were PAID by Beatles promoters to scream hysterically when the Beatles got off the plane and went into the terminal. It was a manufactured publicity stunt, but it paid off in priming the pump for the Ed Sullivan Show appearances, which did create a frenzied attitude among many American teenagers and set the stage for a looser rein on moral boundaries and opened the door for kids from "decent" middle class families to start using drugs."
"According to Dr. John Coleman, a disgruntled intelligence agent, Tavistock created the love affair between our youth and the Beatles. It is impossible to understand the frenzy and mass hysteria created by the Beatles without knowledge of mass-psychology and mass-manipulation. Coleman claimed the crowds had been tutored by earlier news footage. When the Beatles first arrived in JFK airport in 1964, busloads of girls from a local Bronx school had been paid to scream hysterically. They duplicated this effort for the first few events, and this trend perpetuated, as all good fads do."
The Beatles' first appearance on Ed Sullivan, on February 9, 1964, was the most watched televised event in the history of the world up to that point (globalism). It was aired on CBS. The CBS (Columbia Broadcasting System) logo is an Eye of Horus. Columbia is a pagan goddess based on Libertas. The American branch of the Illuminati is called the "Columbian Faction". CBS was also the first station to promote rock and roll with "Rock Around the Clock" in 1955.
The Beatles' third tour of North America in 1966 had alot of unsold stadium seats. Their popularity was waning quickly. They stopped touring after their concert at San Francisco's Candlestick Park on August 29th, 1966 to concentrate on studio recording. The poster for their final concert has a Taoist yin-yang symbol featured on it.
Their "All You Need is Love" television special on June 25, 1967 was the first global satellite TV link-up ever (globalism). The Beatles and their handlers wanted the entire world to see the huge yin-yang symbol hanging above them like a giant Sun.
On the single "Lady Madonna", the Beatles mocked Jesus' mother Mary as a welfare mother with a brood of unruly young children, and exposed her breast while they were at it.
On the flip side, "The Inner Light", based on the Taoist Tao Te Ching, the Beatles encouraged their young listeners to use occult mysticism for astral travel, with a drug undercurrent. The picture sleeve depicted them laughing behind a "door of perception" (Aldous Huxley once again). (The Moody Blues also encouraged drug use and astral travel in their song "Legend of a Mind", not to mention Gary Wright's "Dream Weaver". Lennon sang "I was the Dream Weaver" in the song "God".).
"Taxman" begins with the count "1-2-3-4-1-2", a hidden 13. The chorus resembles the "Batman" theme.
In "Elanor Rigby", "No one was saved" by Father McKenzie, portraying religion as ineffective. The music was based on "Psycho" by Bernard Hermann.
"I'm Only Sleeping" has creepy Crowleyan backwards sounds, as do "Tomorrow Never Knows", "Rain", "Revolution 9", and "#9 Dream". The Sgt. Pepper end track, available only on British pressings, seemed to say "Never could see any other way" forwards, and "We f--- like Supermen" backwards. This may have been inspired by "Le Surmale" ("The Supermale") by Alfred Jarry in 1902, about a man with exceptional sexual powers and endurance.
Alfred Jarry also invented Pataphysics, mentioned in "Maxwell's Silver Hammer", in his book "Exploits and Opinions of Dr. Faustroll, Pataphysician" (1911). Linda McCartney mentioned in her book The Sixties that Paul read Jarry's book while writing "Maxwell's Silver Hammer".
Pataphysics is the belief that every event is unique, so if you drop two coins and they both fall, that is just a coincidence. In the book, a man is born at age 63 and dies a year later at age 63. This may have inspired Paul to write "When I'm Sixty-Four". The lead character, Ubu, is infantile, vulgar, and evil, and lives only for self-gratification ("Sit, Ubu, sit"). He has a pointed head and a pagan sacred spiral on his chest.
We are told that the Beatles' backwards sounds were an "accident" by John. Backwards music was recommended by Aleister Crowley to his disciples in 1911 for contacting demons: "Train him to think backwards by external means...Listen to phonograph records, reversed, and let him so accustom himself to these that they appear natural and appreciable as a whole" (Magick).
"Backmasking was popularised by the Beatles, who used backward instrumentation on their 1966 album Revolver" (Wikipedia). Other groups that deliberately used backmasking were Jimi Hendrix ("Are You Experienced"), Pink Floyd ("Empty Spaces"), Electric Light Orchestra ("Fire On High", etc.), Petra ("Judas Kiss"), Queen ("Play the Game"), and Styx ("Heavy Metal Poisoning"). Led Zeppelin had the most notorious and lengthy "unintentional" backwards message ("Stairway to Heaven"). These are all on YouTube.
The Beatles were not only the first pop group to reverse music, and the first to reverse words, but also the most prolific followers of Crowley's advice. John and Yoko even learned to read backwards. Crowley's writings inspired the Beatles to promote Eastern Mysticism as well.
"Love You To" is another sex song, disguised behind "spiritual" sitars and tablas: "Make love all day long...Love me while you can/Before I'm a dead old man" (i.e. "Carpe Diem", seize the day, the oldest seduction trick in the book). "What you've got means such alot to me" (i.e. her body). They went from the innocence of "Love Me Do" to the pick-up lines of "Love You To". The song is also a hidden allusion to group sex (as in "Love You Two", and "Come Together right now over me").
The "Yellow Submarine" is a symbol of the "submerged" golden phallus of Osiris, the Sun King. I've always wondered how their friends can all be aboard if "many more of them live next door"? Between this and "Octopus's Garden", Ringo seemed to spend alot of time underwater. I guess if John was the Sun, and Paul was Saturn, then Ringo was Water, or Atlantis (George=air?).
"She Said She Said" ("I know what it's like to be dead") from the Revolver lp was inspired by an acid-drenched conversation between John Lennon and Peter Fonda.
"And Your Bird Can Sing" may be about Mick Jagger showing off his "singing bird" Marianne Faithfull to John. If so, the song suggests that Mick hit on John. I guess "You Can't Always Get What You Want".
"Doctor Robert" is John's song about a drug dealer, which John said was himself: "I was the one who carried all the pills...in the early days" (Sheff 2000).
"Good Day Sunshine" is another sun worship song. According to the BBC, "Clouds were once removed from the sky so that Paul McCartney could perform Good Day Sunshine at a concert".
"Got to Get You Into My Life" sounds like a love song, but Paul McCartney admitted in 1997 that it is really "an ode to pot" (really an ode to satan: "And then suddenly I see you/Did I tell you I need you/Every single day?"). The last line, in the mono version only, is "What are you doing to my life?".
"Tomorrow Never Knows", originally titled "The Void", was written by John Lennon after taking LSD and reading "The Psychedelic Experience" by Timothy Leary, based on the Tibetan Book of the Dead. It was the first heavily psychedelic (drug) style song.
John tells his fans to "Surrender to the Void". Another upbeat message from John. It is also about experiencing lucifer (who is "shining") and reincarnation. A long way from "Love, love me do/You know I love you", in the wrong direction.
Aleister Crowley recommended the mantra "I am he", which appeared in the Beatles' "I Am the Walrus". Crowley was an "Egg Man" who believed in a Cosmic Egg (the Big Bang/Shiva/Mithras). John sang "I am the Egg Man". "Yesterday" began as "Scrambled Eggs". Paul McCartney & Wings had an album called "Back to the Egg". In the Magical Mystery Tour movie, there is a long row of connected Egg Men marching. Aleister Crowley wrote of "sucking eggs" (oral sex) in his 69th poem. "The Crack In the Cosmic Egg", written by Joseph Chilton Pierce in 1973, was a popular occult guide to alternate realities. Also, egg=fertility=female=sun symbol.
In the Wings song "Uncle Albert/Admiral Halsey", Admiral Halsey probably refers to both Admiral "Bull" Halsey and Admiral Lionel Halsey, an American and a Brit, which makes the "hands across the water" section make more sense.
The Chain of Being ritual symbolizes "The transformation from the One to the All". All join hands with crossed arms ("X"es). This ritual symbolizes the union of mind, spirit, and body across the universe (a John Lennon song). George Harrison said that "We're all One" in "Within You, Without You". Robert Plant said that "All are One and One is All" in his song "Stairway to Heaven".
In "Let 'Em In", most of the names are Paul's relatives. Brother Michael is, of course, Paul's brother Mike "McGear" McCartney. Sister Suzie may be Linda (Suzie and the Red Stripes). Phil and Don are the Everly Brothers. Martin Luther is John or George. Uncle Ernie is the child molestor portrayed by Keith Moon in the movie "Tommy".
Paul sang "Too Many People" about John, although it also hints at eugenics. "Eat At Home" on Ram is about oral sex.
Lennon remarked in 1972 that "(drugs) don't make you write any better. I never wrote any better stuff because I was on acid or not on acid."
Some of the Beatles' "heroes" that were left off the final cover of Sgt. Pepper were the Marquis de Sade (sadistic sex pervert), Friedrich Nietszche (atheist supremacist), and AntiChrist writer Alfred Jarry, who invented Pataphysics and decorated his apartment with human skulls. They also forgot to include satanist Bertrand Russell: "Bertrand Russell seems all right - I wouldn't mind being like him at all." (Paul McCartney, 1966).
Supertramp wrote their song "Babaji" about one of the gurus on the Sgt. Pepper cover, Mahvatar Babaji. "Mahavatar" means "great avatar".
In "With a Little Help from my Friends", Ringo sings about "get(ting) high with a little help from my friends". He also responds to the line "What do you see when you turn out the light?" with "I can't tell you but I know it's mine". Sounds like a "self-satisfaction" reference. Later, he would also sing "I see the hands a-movin'/But I'm by myself" ("Don't Pass Me By").
On the back of Sgt. Pepper, John is shown "feeling low down", a double hidden-hand symbol. He has the word "love" on his lips, and didn't he always have the word "love" on his lips? On his hands reaching down his pants is also the word "love". On his crotch is the word "yourself", or "love yourself". The word "mind" is also on his crotch, and wasn't his mind often on his crotch? Let's face it, all four of them were consumed by lust.
Three of the hands on the back of Sgt. Pepper form letters. George forms an "L", John forms a "V", and Ringo forms an "E". So where's the "O"? George is pointing to an "O". On the other hand, Paul's coat forms a "I", creating the word "LIVE", or "EVIL" spelled backwards.
Paul's face on the back cover is hidden from view. The lyrics printed on him talk about "People who hide themselves behind a wall of illusion".
"Lucy in the Sky with Diamonds" is, of course, about LSD. John always denied this and said it was based on a drawing by his son Julian. In reality, Julian's painting inspired John's druggy song. Paul admitted the drug references in 2004. Some individuals seem unable to figure out that Julian could show John a drawing by this name and John could be inspired by it to write drug imagery, not just one or the other. "Lucy" likely refers to the androgynous "lucifer" in the sky with "diamonds" (aka "stars", the Dogstar Sirius representing lucifer).
Paul said that "Fixing a Hole" was "another ode to pot", although it can also refer to a "fix" of heroin making a "hole" in the arm. In an interview in Q magazine in 1997, Paul said he was living alone and smoking alot of pot when he wrote it. Drug use is forbidden in the Bible as pharmakeia, a form of witchcraft. According to Paul, a man came to his gate at the time and introduced himself as "Jesus Christ". Paul invited him in, and then took him to the recording session for "Fixing a Hole". He never saw him again.
During the March 21, 1967 recording session for "Getting Better", John was high on acid and told George Martin he was "not feeling well". Martin took him to the roof for some fresh air and went to Studio 2, where Paul and George were. John was hastily retrieved by Paul and George, who knew about his acid trip.
"Within You Without You" is about the occult belief that "We are all One". Are you spiritually connected to Hitler? Of course not. Me neither.
"A Day in the Life" has the drug reference "I'd love to turn you on". The song is about Tara Browne, a friend of John who was the heir to the Guinness ale fortune. Tara was reportedly driving his Lotus on acid and died in a car crash on December 18, 1966. John says he "had to laugh" when he read the tragic news about his friend.
What is "The Fool on the Hill" all about? Sun-cult adepts, like the Beatles, think they can get closer to their god (satan) on the top of a hill. "Fools", indeed. Sadly, "The Fool on the Hill" could also be a mockery of Jesus dying on the cross for us on the hill called Golgotha ("skull"). The song ends with Paul the Fool singing "He knows that they're [we're] the fools" (for not worshipping the sun), and fades to the flute-playing of a Pan character.
Notice that on the Magical Mystery Tour album, "The Fool On the Hill" is followed by the song "Flying" (presumably through drugs, which also get them closer to their "god").
"Hello Goodbye" is about how everything has an equal opposite, and both are necessary. This is the masonic/Tao belief in balance, which includes balancing good with evil. Thus, the yin yang symbol. Look at the poster for the Beatles' final concert at Candlestick Park in San Francisco on August 29th, 1966. You will see a giant yin yang symbol. The Star Wars films also talked about balance, not good conquering evil.
Seeking balance between good and evil means accepting evil, hate, and war as equal to love and peace, a dangerous belief, to put it mildly.
Another Paul drug reference in "Hello Goodbye": "I say high/You say low/You say why?/I say I don't know".
The first two lines of John's "I Am the Walrus" were written on two acid trips. "I Am He" and "I am the Egg Man" are from Aleister Crowley. "Bloody" is a curse referring to Mother Mary. The "pornographic priestess" who "let (her) knickers down" suggests Aleister Crowley's rites. It may also refer to professed witch Yoko Ono. The Priestess and the Joker are both tarot cards as well.
The Joker card (aka "The Fool", the name of the Beatles' art company) symbolizes "crazy wisdom", like that found in children's rhymes. The Fool often appears with the sun and a dog, and about to "slip into The Void" ("Surrender to the Void/It is shining"), or Nietzsche's abyss, at the cusp of dreadful knowledge.
The Fool card is often the number "zero" (aka "nothing" aka "Nowhere Man"). The Fool card is "the end, and the beginning" ("Tomorrow Never Knows"). He represents a "lack of cohesiveness for the subject at hand". Crowley's Fool "walks on creative light" (Wikipedia). Also recall John often "played the fool" and that the "joker's wild".
"Lucy in the sky" and "choking smokers" are more drug references. "Waiting for the sun" refers to waiting to be "illuminated" to write a song. If it doesn't come, you write "Rain". The Doors' "Waiting for the Sun" is about satan. Bob Dylan wrote a song called "Jokerman".
"Penny Lane" has a vulgar reference to heavy petting in "fish and finger pie". The nurse sells "poppies from a tray" (poppies=surreal=narcotics=Morpheus). James Penny was an 18th century slave trader. The "shelter" is a public toilet.
"Strawberry Fields Forever" has the line "Nothing Is Real". Although the line is pro-drugs, pro-fantasy, and anti-reality, it is much more than that: It refers to the occult belief that life is an Illusion, a Game, a stage with actors ("although she feels as if she's in a play/She is anyway"-Penny Lane), where no one really dies and no one is really hurt, where we are reincarnated until we learn to manipulate The Force (negative energy) on ourselves and others and become living "gods".
May the Force be with you? I hope not. If "nothing is real", then God is not real, and there is no good or evil.
John chose the quick tempo of "Ob-La-Di, Ob-La-Da" while high on pot (Lewisohn 1988). So remember, kids, "If you want some fun/Take ob-la-di-bla-da".
"Ob-La-Di, Ob-La-Da" has a gender bender, as Desmond becomes a woman in the last verse. The Beatles were gender bending their music as early as 1963, when Ringo sang "Boys/What a bundle of joy". Another Beatles gender bender is: "Sweet Loretta Martin thought she was a woman/But she was another man" ("Get Back"). In the movie "A Hard Day's Night", John sings to Ringo "If I fell in love with you/Would you promise to be true?...". In the same movie, Ringo rejects a beautiful woman, dances with a man, and then buys a trench coat and hangs out with a little boy.
Then there's John Lennon's "Polythene Pam": "You should see Polythene Pam/She's so good lookin' that she look like a man/Well, you should see her in drag dressed in that polythene bag...Get a dose of her in jackboots and kilt (hint: women don't wear "jackboots and a kilt")/She's killer-diller when she's jacked to the hilt (on booze or drugs)...You could say that she's attractively built". "Polythene Pam" glorifies having sex with a drugged-up transvestite. And notice the reprise of "Yeah, yeah, yeah" from their "innocent" days of "She Loves You".
"Everybody's Got Something to Hide Except for Me and My Monkey" is another heroin reference to the monkey on John's back. "The higher you fly/The deeper you go". John encourages his fans "Come on is such a joy" and the Beatles all plead with their fans to join them at the end like side-show hucksters.
"Sexy Sadie" was about John Lennon's disillusionment with the Maharishi in India. It was supposed to be called "Maharishi", but mystic George wouldn't allow him to call it that. Here is a video warning about the Maharishi and yoga (warning: brutal images at the end):
http://www.youtube.com/watch?v=wo9DXbo0BLY
Despite John's disillusionment, the Beatles' "spiritual journey" to India resulted in millions of their fans turning from God to eastern mysticism, astral projection, transcendental meditation, and yoga. Now yoga and meditation centres have proliferated the cities of North America. Satanist Aleister Crowley also wrote Eight Lectures on Yoga.
The public is not even aware that performing yoga and transcendental meditation always pays tribute to pagan gods (demons), with or without the practitioner's knowledge. These spiritually harmful pagan rites would still be a minor fad if not for the Beatles' influence. (Martial arts also venerate pagan gods, but the Beatles did not popularize that one. However, Elvis did.).
Aerobics and quiet time with God (not Shiva, Siva, Buddha, or Krishna) are healthy alternatives to yoga, mysticism and transcendental meditation. God is in the sky, not in the East, so why should we worship the East?
The Beach Boys pushed TM on their fans through their music as well, when they weren't busy having orgies with their young fans or hanging out with their friend Charles Manson. More info here:
http://www.jesus-is-savior.com/Evils%20in%20America/Rock-n-Roll/beach_boys.htm
and here:
http://www.youtube.com/watch?v=79xb6XiR3Mk&feature=related
The Beatles' "Helter Skelter" from the White Album was about the fall of civilization, anarchy, and chaos...and a British carnival slide for children. Ringo Starr said: "'Helter Skelter' was a track we did in total madness and hysterics in the studio". Paul's lead vocals truly sound demon-possessed on this one. I guess Charles Manson got that one right at least.
The song foreshadows the chaos that will accompany the new world order's ultimate rise to power, and the changing of the guard "from the bottom to the top". The so-called elite, high on drugs, are "miles above you" in their delusional fantasies (just like on the covers of "Please Please Me" and "Rubber Soul"). Paul says "Don't let me break you" (torture, mind-control). Bob Dylan also sang "The losers now will be later to win/For the times, they are a-changin'". A later title of Paul's was "Chaos and Creation in the Backyard" ("Ordo Ab Chao").
"Piggies" includes cannibalism, when the "piggies" eat "bacon". An analogy for elite humans eating human flesh.
John Lennon was inspired by a magazine cover to write "Happiness Is a Warm Gun": "I just thought it was a fantastic, insane thing to say. A warm gun means you just shot something, like heroin into your arm." The surreal lyrics are allegedly from another acid trip, and lament Lennon needing another "fix" (of heroin). In 1980, Lennon denied the song had anything to do with drugs.
"Revolution 9" is an apocalyptic song with a title closely resembling the Bible's Revelation 9. It is full of Crowleyan backwards music. "Number 9" creates hidden "666"s throughout the song (51 times, 5+1=6).
In the intro, Alistair (not Crowley) comments on George Martin's sexuality, calling him a "cheeky bitch".
The words "number nine" played backwards seem to say "Turn me on, dead man" (necrophilia). The Bible's Revelation 9 says "...and (the insects') faces were as the faces of men. And they had hair as the hair of women...", "out of (the beasts') mouths issued fire and smoke and brimstone", "and the four angels were loosed...to slay the third part of men".
The "lyrics" of the song "Revolution 9" have references to violence, as do many songs on the "White Album": "intended to die", "slumped down suddenly", "afraid she'll die", "doctors have brought this specimen", ("electric chair" sound), "it was on fire", "we'd better go see a surgeon to price it", "my wings are broken and so is my hair", (fire, laser beams, war, car crash), "thrusting it between his shoulder blades".
The main theme of the "lyrics" in "Revolution 9", however, is a financial conspiracy: "the storage of grain in Hertfordshire", "it's all the same thing, in this case manufactured", "per day in our district", "they may stop the funding", "place your bets", "who's to know? who was to know?", "a business deal falls through/I informed him on the third night, when fortune gives...", "with the situation, they are standing still. The plan, the telegram...", ("electric chair" sound), "a man without terrors from beard to false", "tell me what he was saying, and his voice was low...and his eyes were low", "it was on fire and his glasses were the same/This thing, know if it was tinted/But you know it isn't/To me it is...", "we'd better go see a surgeon to price it", (fire, laser beams, war, car crash), "only to find the night-watchman unaware of his presence in the building", "industry allows financial imbalance", "Eldorado", ""Take this, brother, may it serve you well/Maybe it's nothing/What, what, oh...Maybe even then impervious in London...could be difficult thing".
Many of these lines seem to foreshadow our current global debt crisis, which was in the works for a long time.
The baby sounds may come from "Psychedelic Moods" by The Deep (1966), which also had backwards masking. "Revolution 9" is full of backwards church music. John seems to refer to his father when he says "So I said I'd marry, joined the f---ing navy and went to sea".
The final intelligible line of the "song", Yoko saying "If you become naked", when played backwards, sounds somewhat like "satan, look at me please". After all, isn't that the purpose of this nightmarish piece? To summon demons? In the way prescribed by Aleister Crowley, through chaos and backwards masking?
Charles Manson loved this song. So does Marilyn Manson. Many Beatles fans hate it: "The first time I heard this song, I nearly threw up. Then I couldn't sleep".
After the apocalyptic "Revolution 9", does Ringo's innocent-sounding lullabye "Good Night" perhaps have a more sinister meaning?
"Across the Universe" is about astral travel. John says his words "slither", like a serpent. He says he is "possessed". He says a "million eyes" call him across the universe (devas/demons). "gai guru deva" means "All glory to the Devas".
A "Deva" is a solar spirit in Hinduism, Buddhism, and theosophy (aka a demon) that can only be seen with the "third eye". There are allegedly millions of Devas living inside the sun. John sings of "limitless undying love which shines around me like a million suns" ("Imagine one thousand suns" -Yoko Ono, 1964).
Sounds great, except that luciferians possessed by demons believe that they are pure light and pure love, while they rape, torture, and kill innocent victims. Krishna, the destroyer of worlds, emitted the radiance of a thousand suns in the Bhagavad-Gita.
According to occultist C.W. Leadbeater, the ritual for 30th degree masonry brings forth a "great blue Deva of the First Ray" and in the 33rd degree, two glowing white "Spirits of gigantic size", as well as the "Spiritual King of the World Himself; That Mightiest of Adepts who stands at the head of the Great White Lodge, in whose strong hands lies the destinies of earth" (Codex Magica, page 41). Remember that according to the Bible, "satan disguises himself as an angel of light" (2 Corinthians11:14) and "the ruler of this world (satan)will be cast out" (John 12:31 NKJV). Bob Dylan said he made a deal with the "Chief Commander" to get where he is now, and he wasn't talking about God.
"Daeva", with an "e", are "false gods that are to be rejected" and the "personification of evil" (Wikipedia). "Zoroaster proclaimed that all of the Iranian daevas were demons and deserved no worship. These demons were created by Angra Mainyu, the hostile spirit. The existence of Angra Mainyu was the source of all sin and misery in the universe" (Wikipedia).
So when you sing the chorus of "Across the Universe", you are really worshipping demons called Devas and when you sing "Hare Krishna" in "My Sweet Lord", you are worshipping the "destroyer of worlds". But the Beatles are "all about love".
John donated the original version of "Across the Universe" to the World Wildlife Fund (WWF) to use royalty-free on their record No One's Gonna Change Our World in 1969. It was slightly sped up due to a mastering error. The WWF was largely the creation of a Nazi SS officer (occultist and Bilderberger Prince Bernhard), as well as UNESCO founder and elitist eugenicist Julian Huxley (the brother of Aldous Huxley, who appears on the cover of Sgt. Pepper). The WWF is also responsible for Earth Hour, when lights must be turned off for an hour...or else.
On the Let It Be album, "Get Back" was about "Sweet Loretta Martin" (any relation to George Martin?) who "thought she was a woman/But she was another man". Paul urges her/him to "Get back to where you once belonged" (manhood?). At this time, the Beatles were all growing "manly" facial hair. The song also refers to seeking "California grass", a drug pun.
The Beatles were accused of racism because in one demo of the song, Paul sang "...don't need no Puerto Ricans living in the USA...don't dig no Pakistanis taking all the people's jobs": http://www.youtube.com/watch?v=WcjBF1uj6Do
He says it was a satire of a politician Enoch Powell's "Rivers of Blood" speech in the UK. Like the Beatles in "Taxman", Powell opposed Mr. Wilson Heath. The Beatles also referred to Powell in their unpublished songs "Commonwealth" and "Enoch Powell": http://www.youtube.com/watch?v=VjhQ34h5Cs4 (you can Google the lyrics).
"Maggie Mae" on the Let It Be lp was about a prostitute who robbed a sailor.
George's waltz "I Me Mine" was based on the escaping of earthly desires in the Bhagavad Gita.
"Come together, right now, over me" sounds like an orgy. John wrote it for the political campaign of Crowley-worshipping acid promoter Timothy Leary.
"Octopus's Garden" is another Atlantean Ringo vision, in the style of "Yellow Submarine". "Octo"=8=sun worship. It may also have been inspired by Ian Fleming's James Bond short story "Octopussy" from 1966.
"Maxwell's Silver Hammer" is "a happy song about a serial killer". In 1977, George called it "so fruity".
"Old Brown Shoe" by George is also based on the Tao belief about cosmic opposites being "equal", similarly to "Hello, Goodbye" and "The End".
Why did John stop "I Want You (She's So Heavy)" at precisely 7:44? Combine it with "Revolution 9" at 8:22 and you get 15:66. In numerology, 1+5=6=6:66.
"Because" is freemason Ludwig Van Beethoven's "Moonlight Sonata" played backwards (Aleister Crowley style).
The title "Sun King" refers to war monger King Louis XIV of France. It also refers to Babylonian and ancient Egyptian worship of Osiris and Horus. The lyrics are nonsense sung in Spanish.
"Mean Mr. Mustard" and "She Came In Through the Bathroom Window" both have cocaine references: "Keeps a ten-pound note up his nose" and "Protected by her silver spoon". Presumably it is the transvestite Polythene Pam who "came in through the bathroom window".
The Beatles began their own label called Apple Records. Like everything they did, it was hardly a random choice. Apples are an occult talisman of protection from demons, similar to the pentagram. The split apple on the label was chosen for its similarity to the female anatomy, among other things. The apple was also satan's fruit of forbidden knowledge in the Garden of Eden. Yoko offered John an apple for 200 pounds at her art exhibit (now $4600). Most of her art is in Tao black and white.
In the '60s, John Lennon proclaimed that the Beatles were "more popular than Jesus". In the '70s, he wrote "Imagine there's no heaven" (Who would want to do that? And doesn't imagining that it doesn't exist prove that it does exist?). If there is no heaven or hell, then Jesus didn't come from heaven or die for our sins. If Jesus didn't die for our sins, then there would be no right or wrong. Concepts such as murder would be subjective i.e. "If you think murder is wrong, that's just your opinion".
John also asks us to "Imagine there's no countries...and the world will live as one". Eliminating all borders is a new world order goal, to control the world more easily. This is why there is a United Nations (replacing the laws of sovereign nations), a European Union, and soon, a North American Union. Unions are usually communist in nature. Then John the multi-millionaire with a Rolls tells us to "Imagine no possessions". In communism, land possession is illegal except for the state.
John remarked of "Imagine" that it was "an anti-religious, anti-nationalistic, anti-conventional, anti-capitalistic song". In other words, "Imagine" is Anti-Christ, pro-globalist, and pro-communist. Why is this Anti-Christ song now being performed in churches? Because they are not real churches. (Thanks to http://thelennonprophecy.blogspot.com/ for this quote).
Lennon said in an interview that "the whole Beatle idea was to do what you want, right? To take your own responsibility, do what you want and try not to harm other people, right? DO WHAT THOU WILT, as long as it doesn't hurt somebody. . ." (The Playboy Interviews with John Lennon and Yoko Ono, by David Sheff and G. Barry Golson, p. 61).
Lennon got this philosophy from satanist Aleister Crowley and atheist supremacist Friedrich Nietzsche. Crowley believed that being sacrificed to satan was a privilege, not harmful. Did the Beatles' influence on millions of young, impressionable fans to explore occult mysticism and take drugs really not hurt anybody?
In 1964, John admitted to Playboy that "None of us believe in God" and added "We're not quite sure what we are, but I know that we're more agnostic than atheistic".
Lennon compared himself to Jesus many times over the years. In the late 1950s, John and Paul started work on an absurdist play about a character named Pilchard ("Semolina Pilchard", aka John) who believed he was Jesus. In the November 1965 issue of New Musical Express, Paul said that it was "about Jesus Christ coming back to earth as an ordinary person". "John regularly poked fun at church dignitaries, parodied hymns, and drew blasphemous cartoons of Christ on the cross" (beliefnet.com). On one occasion in Hamburg, he is said to have peed on passing nuns from his hotel balcony.
In May 1968, John told the other Beatles that he was Jesus Christ reincarnated. In "The Ballad of John and Yoko", John predicted that the press was going to "crucify" him. For "Two Virgins", John and Yoko posed naked to mock Adam and Eve (possibly Virgin Mary and Jesus as well).
In 1980, John said "Part of me suspects I'm a loser and part of me thinks I'm God Almighty. [Laughs.]". Also in 1980, when asked about a Beatles reunion, he replied "Do we have to divide the fish and the loaves for the multitudes again? Do we have to get crucified again? Do we have to do the walking on the water again because a whole pile of dummies didn't see it the first time or didn't believe it when they saw it? That's what they're asking: 'Get off the cross. I didn't understand it the first time. Can you do it again?' No way. You can't do things twice". "No-one I think is in my tree/I mean it must be high or low" (Strawberry Fields Forever).
John envied Christ's popularity and longed to be worshipped like him, so he tried to "compete" with Jesus by growing his beard long, wearing white suits, and proselytizing "peace" and "love". By relying on the occult instead of the true source of peace and love, God, John's message fell flat.
What do a "Revolver", "Run like pigs from a gun", "Revolution", "Helter Skelter", "Your moment to arise", "damned good whackings", being "equipped with a gun...to shoot off the legs of (a) rival", "Maxwell's silver hammer (which) made sure that she was dead", "Surrender to the Void", and the gun-worshipping song "Happiness Is a Warm Gun" have to do with "peace and love", anyway? Not to mention Ringo's "Hand Gun Promos".
In the song "God", John instructed his fans "Don't believe in Jesus...just believe in me, me and Yoko, that's reality". He also sang "God is a concept by which we measure our pain". Lennon blamed God for his hardships instead of his own sins or satan. He was always jealous of Jesus' popularity and mocked him frequently.
In "I Found Out", Lennon sang "There ain't no Jesus gonna come from the sky/Now that I found out I know I can cry/I found out...I seen religion from Jesus to Paul/Don't let them fool you...".
Yoko's Feeling the Space album featured her as the Sphinx of Egyptian mysticism (satanist Aleister Crowley and Crowley admirer David Bowie had similar photographs taken of themselves). Another John and Yoko song was "Do the Oz". Oz is another name for Hell. Aleister Crowley wrote a book called Liber Oz.
The inner sleeve of John's "Imagine" lp has another pagan "sacred spiral". The other side has his lyrics presented as the enlightened "rays of the sun". The front cover has clouds in John's head, symbolizing "cosmic consciousness".
John's Dakota apartment in New York, where he was shot to death, appeared in the movie about the anti-Christ being born, "Rosemary's Baby", starring Mia Farrow, whom the Beatles took to India soon after the film's release. The movie's director was Roman Polanski, whose wife Sharon Tate was murdered by the Manson family, based on "instructions" from Beatle songs. Manson felt inspired by The Beatles' songs to murder strangers. Many early Beatles songs were recorded by The Dakotas. Rocky Raccoon was from "somewhere in the mountain hills of Dakota".
In Central Park near the Dakota, along with a phallic Egyptian obelisk, is Yoko Ono's Strawberry Fields Memorial Garden to John. The Imagine design there is a Sun Worshipper's symbol in Tao black-and-white mosaic tiles. I guess Yoko still hasn't figured out that the occult cursed and destroyed her husband's life, and her own.
When Sean Lennon was born on John's birthday in 1975 (his godfather is Elton John), John Lennon became the "housewife" and Yoko Ono became the "breadwinner". Notice that John took Yoko's name (John Ono Lennon) but Yoko did not take John's name. Traditionally, the woman takes the man's name in marriage.
Yoko is a supporter of the eugenicist Georgia Guidestones, which call humans "a cancer on the earth" and encourage the elimination of all but 500,000 humans (approximately 6.4 billion of us to be eliminated). These "Ten Commandments of the Anti-Christ" reveal the true goals of the Green Movement. As Prince Philip said in 1988: "In the event that I am reincarnated, I would like to return as a deadly virus, in order to contribute something to solve overpopulation". Luciferian conspiracies are not quite as harmless as we have been led to believe.
Lennon briefly became a Christian in 1977. Unfortunately, Yoko "Yes, I'm a Witch" Ono talked him out of (or casted a spell against) his new-found faith:
http://www.christianitytoday.com/ct/2000/june12/34.86.html
As a result, Lennon responded to Bob Dylan's Christian song "You Gotta Serve Somebody" by writing a blasphemous song mocking Christ called "Serve Yourself". Unfortunately, John's "Serve Yourself" philosophy was the same philosophy as Ayn Rand's Objectivism and Anton LaVey's Church of Satan, a philosophy that leads to hell.
Yoko's insistence that she had never heard of the Beatles when she met John is nonsense. No hip Londoner in 1966 was unaware of the Beatles. Yoko was one of the Apple Scruffs (groupies) that sat on the steps of Abbey Road waiting for the Beatles every day, and being ignored by the Beatles every day. "(The Scruffs') game is knowledge and expertise. They’ve built up a reservoir of love and malice...They miss very little of what goes on in Apple. They can polish or demolish your image...To be a good Scruff you have to be two-faced” (Rolling Stone). I believe the Apple Scruffs were financed by the Beatles' handlers to sit on the steps every day, spy on them, and control them.
Suddenly one day, John "fell" for Yoko: "(John) said he loved Yoko, and how he never liked her at first and how different everything seems now" (Rolling Stone). I believe that a black magic spell was involved. John was set up with Yoko to maintain a lifetime of occult control over him. It would not be unfair to call Yoko a jealous control-freak over John. Even when they separated for eighteen months, she maintained control of him through her friend May Pang. However, she did not single-handedly break up the Beatles.
I used to be a Yoko fan and defend her before I realized the negativity she had cursed John and with (he also cursed himself).
Here is a theory that John Lennon fans don't want to hear at all: Jack Chick, creator of the cartoon Chick tracts, correctly states that a man can do good all his life but reject Jesus and go to hell. On the other hand, a man can be evil all his life and sincerely accept Jesus on his death bed and go to heaven.
God doesn't care how many hit records you make. All music either comes from above or below. If it comes from below, God cannot possibly be impressed by it. Did the music you made, or listen to, praise God or blaspheme against Him and praise His enemy? By the end of your life, did you ultimately choose to appreciate Him or to rebel against Him? These are the keys to Heaven and Hell.
Therefore, John Lennon, who rejected Jesus in 1980, could conceivably be in hell and his killer, Mark David Chapman, who has become a born again Christian while in jail, could conceivably go to heaven. Although, like everyone else, I want John to be in heaven, not everything points to that conclusion.
Here is John singing "Serve Yourself" (note the "triple corner" military stripes on his shoulder. His t-shirt has the masonic "Great Seal" from the US dollar bill. He has a pentagram patch on his right shoulder, unseen.):
Paul McCartney was asked about religion in 1963. He replied that he doesn't think about it as "It doesn't fit in with my life". Paul is still into the occult, judging from his book "Paul McCartney Paintings", with titles like "Sea God", "Egypt Station", "Half Red Fog Face", "Skull Face", "Celtic Fertility", "Red Triangle Sand", "Dark Faces", "Robot and Star", and "Insect Face" (a self-portrait?).
Ringo Starr's occult devtion was directed more toward Dracula and Frankenstein. He produced the dreadful movie Son of Dracula, starring two of his friends who died tragically young, Keith Moon and Harry Nillsson. The video for "Back Off Boogaloo" was an early horror rock video, starring Frankenstein. It predated even "Thriller" by Michael Jackson. Ringo also portrayed himself as an alien from outer space on the cover of his "Goodnight, Vienna" album. In the 1968 movie "Candy", he portrayed a rapist gardener. The pentacle has symbolized him for decades.
John Lennon wrote the self-worshipping song "I'm the Greatest" for the Ringo album.
It also contains Ringo's song "You're Sixteen", about picking up underage girls in his car.
In "Devil Woman", Ringo sang "You're like the devil with the horns in your head/The only way I'll get you is to get you in bed" and "I wanna beat you up". Presumably he was still singing about the 16-year-old, since both songs were on the same single.
The video for "You're Sixteen" featured Carrie Fisher (Princess Leia) magically floating around, and a Temple of Solomon checkerboard floor: http://www.youtube.com/watch?v=CYe7TYB0da8
(Thanks to http://www.jpgr.co.uk/pctc252.html for their information).
Ringo sang "Snow Up Your Nose for Christmas" (on a children's record) in 1977. This was three years after "The No No Song", where he sang "She held out a ten pound bag of cocaine/She said it was the finest in the land/And I said, "No-no-no-no, I don't sniff it no more/I'm tired of waking up on the floor/No thank you please, it only makes me sneeze/Then it makes it hard to find the door".
He also sang "You Can't Fight Lightning" with Paul. Lightning is a common symbol for satan, who fell from heaven like lightning in the Bible.
Ringo makes a masonic pose on the cover of his "Starr Struck" album.
On "Time Takes Time", he is at the center of a mystical mandala, and holding up the world in the corner (he really does think he's The Greatest, doesn't he?). Other pagan elements on the cover are the sun, the moon, stars, a dragon (serpent/satan) playing the piano, and an owl (symbol of forbidden knowledge because he can "see in the dark") playing yin-yang drums at the top.
On "Vertical Man", Ringo's "open mind" has three shining pyramids with the "Eye of Horus" on them, as well as an alien, druidic jack-o'-lanterns, the sun, moon, stars, and other elements.
On "I Wanna Be Santa Claus", Ringo is shown with green skin, like Osiris, as well as holly that was sacred to the druids.
In 2010, Ringo is still singing the lecherous, misogynistic "Who's Your Daddy?/I'll drop you to the floor" with 23-year-old Joss Stone. Some things never change.
On the Dick Cavett Show in 1971, George Harrison talked about the group "The Marmalade" being caught having orgies with young fans, and added "everybody is doing it".
George encouraged Apple records to release a song called "King of Fuh" (the "Fuh King") by Brute Force, which has sold for over five thousand dollars. He also had the occult belief in "the Divinity of Man".
In "My Sweet Lord", George tricked the listener into thinking that George was singing about God or Jesus with the chorus of "Hallelujah". As the listener began to sing along, George changed the chorus to "Hare Krishna". According to the Hindu scriptures, the Bhagavad Gita, Krishna called himself "the destroyer of worlds". George has manipulated us from praising the Creator of the Universe to praising the Destroyer of Worlds. He was quite proud of this ruse and laughed at its recollection.
"Soft-Hearted Hana" by George was about a psychedelic mushroom experience in Maui.
Notice that on George's box set "The Dark Horse Years: 1976 to 1992", he sings "Cloud 9" followed by "Here Comes the Sun/My Sweet Lord". That says it all, doesn't it?
George never broke free from his devotion to eastern mysticism. In his song "Brainwashed" from 2001, he was still chanting to pagan gods with his son Dhani.
Paul was also into mysticism, mixed with sex. He "had a meditation chapel built in his garden around 1967 which contained a circular bed donated to him by Groucho Marx." Jane Asher left Paul after she found him in bed with another woman there in 1968.
George died of cancer from smoking. How many Beatle fans, encouraged to smoke by their idols the Beatles, later died of cancer? Here is George and John encouraging their young fans to smoke. John also makes a requisite gay reference:
In John's defence, on the White Album, in the song "I'm So Tired", after he "(lit) another cigarette", he did "curse Sir Walter Raleigh" who had introduced tobacco to England in 1600.
Two Beatles albums are called Past Masters Vol. 1 & 2. "Past Master" is a masonic term for a former Grand Master of a masonic lodge.
Another release is The Beatles Live at the BBC. In numerology, BBC=223, a hidden 322, the number of Skull and Bones. For further information, look up Genesis 3:22 in the Bible. Also notice that Sherlock Holmes lived at 221B Baker Street. B=2, so 221B=223, a hidden 322.
On September 9th, 2009, "The Beatles: Rock Band" and their "re-Mastered" albums were released. Notice that the release date was 9/9/9, a hidden "666". Are the albums being re-Mastered, or us?
John's "Imagine" album was released on September 9th, 1971, a 9/9/9 in numerology (1+9+7+1=18=1+8=9) (from Joseph Niezgoda).
John was the result of a broken home, as so many spiritually lost celebrities are. Aleister Crowley called families "Enemy Number One" in blocking his emerging Age of Horus (satan). Every time you see an ad with one eye in it, that is a symbol of Crowley's Age of Horus.
John's father Freddie Lennon was a ship's waiter who abandoned his wife and young child for the sea before John was even born. In Freddie's defence, he wanted to stay but Julia told him to leave. Freddie's meagre child support payments soon ceased completely. John's promiscuous mother, Julia, who was still married to Freddie, merely picked up with another alcoholic waiter, permanently dumping her son John on her sister Mimi.
When Pete Shotton first met Julia when he was thirteen, she began stroking his hips, saying "Ooh, what lovely slim hips you have!" and giggling (John Lennon In My Life, page 37). Julia was unfortunately hit by a car and died in 1958. Freddie came back after John hit the big time, looking for a slice of his pie, and even recorded a couple of songs to try to cash in on John's success.
Satanist Harry Potter wears the same intellectual "granny glasses" as John Lennon wore, as well as a Nazi sig rune lightning bolt (mark of the beast) on his forehead. Perhaps Harry Potter's eyewear was based on John Lennon's, which was standard issue for boys' schools in England in the 1950s.
"Are you aware of brainwashing techniques incorporating constant repetition, which are not only capable of blocking out creative thought, but can also join limited thoughts with pleasurable emotions so that they are mentally linked together?" -http://suckmybeatles.com/
What was the Beatles' real "legacy" to the world? Music that never acknowledged God's gifts or Jesus, but increasingly over the years glorified drugs, occult mysticism, and perverted sex ("Why Don't We Do It In the Road"). Music with a demonic spirit that people like Charles Manson were influenced to commit heinous crimes to. Why wasn't Manson motivated by Christian hymns? Because they don't have that demonic spirit in them.
I'm not saying that the Beatles never did anything positive or uplifting, I'm saying that they have been way too overrated by a public that has lost its power of spiritual discernment.
"Say Say Say" (1983) by Paul McCartney and Michael Jackson is full of hidden S.O.S. signals. Was Michael or Paul covertly asking the world for help? For example, the first two lines are "Say Say Say what you want, but don't play games with my affection/Take take take what you need, but don't leave me with no direction". The syllables are pronounced: "dash dash dash, dot dot dot, (but) dash dash dash, (with) dot dot dot dot/ dash dash dash, dot dot dot, (but) dash dash dash, (with) dot dot dot dot". S.O.S. in Morse Code is "dot dot dot, dash dash dash, dot dot dot" ( . . . _ _ _ . . . ). This distress signal pattern recurs throughout the entire song, including the bridge.
Most people missed Paul McCartney's song from 2009, "(I Want To) Come Home". Here are some of the lyrics (© Paul McCartney):
For too long I was out on my own.
Every day I spent trying to prove I could make it alone...
Yeah, it's been too long, now I want to come home.
Been too long, now I want to come home."
The lyrics are strongly reminiscent of The Beatles' sun and moon-worshipping days, and Paul's desire to leave that all behind. It's wonderful news that Paul finally realizes he cannot "make it alone", but the video is still full of occult imagery, so it is unclear where he thinks his "home" is. "Once there was a way to get back home". He says he "shot out of the stars", like a Star Child (2001: A Space Odyssey). He "slips into the shade", a reference to the song "Rain". What happens when you "stare at the sun" (worship the sun)? You're blinded to reality. U2, another sun-worshipping group, also sang about "staring at the sun". Paul wearily repeats the last line, Robert Frost-style. He's gonna "Carry That Weight a long time" without Jesus.
In the video, Paul is wearing a black-and-white checkered vest (Temple of Solomon). Then two "crucifixion" poses, with a hand "pyramid" before the second. Heather Mills has a rose (Rosicrucian). Masonic "square and compasses" design below the ten steps. Black and white scarf. Scottish tam (Scottish rite). Ringo has "One Eye of Horus", followed by five more Beatles' "Eyes of Horus" in a row (six total). White horses (Conquest/Pestilence/heroin). Four horsemen are shown (the Apocalypse). WOWOW=66666 in numerology. Temple of Solomon vest. Two "pyramids" to the left as they kiss. Paul "cops a feel". Triple sun reflection. Paul wears a Wells-Fargo badge at Shea Stadium (Seal of Solomon). Masonic pillars. Gold disc=sun. Paul makes a kabbalah "shin" (W=satan).
There are at least four names for satan in the name "The Beatles": "Beel" (Beelzebub), "Bal" (Baal/Nimrod), "Set" (Egyptian god of the underworld), and "Beast", satan in the Bible (or "Le Beast"). Also hidden in "Beatles" is "Beale St". Beale Street in Memphis, Tennessee, is the "Home of the Blues", and the blues is the father of rock and roll.
I am not suggesting that every symbol in this article was purposely created by the Beatles or their handlers, some were unintentional, and others are pure speculation on my part, although I believe that over fifty percent were intentional.
"...The Beatles opened up a Pandora's Box when they hit the United States with their druid/rock beat in the 1960s. Then they became so popular that they were able to turn our young people on to the Eastern religions. The floodgates to witchcraft were opened. The U.S. will never recover...it was well planned." "What kind of musical instruments did the druids have?" "They used a flute, a tambourine, and a drum covered with human hide." (Spellbound?, 1978).
The Beatles used a flute on "You've Got to Hide Your Love Away", "The Fool on the Hill", and "Strawberry Fields Forever" (Mellotron flute). They used a tambourine and drums on almost every song. Led Zeppelin's "Stairway to Heaven" (really Hell) also used flutes, tambourine, and drums. The groups Jethro Tull and Focus used flute, tambourine, and drums on almost every song they played.
"The Beatles were an experimental group sponsored behind the scenes by British and U.S. intelligence. Their role was intended to use various psy-op mechanisms and anti-Christian messages to arouse turmoil and psychological trauma in society" (Codex Magica by Texe Marrs, page 466).
"An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the "advent" of the Beatles. The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware".
"When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake. The Beatles were an integral part of "The Aquarian Conspiracy", a living organism which sprang from "The Changing Images of Man", URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report prepared by SRI Center for the study of Social Policy, Director, Professor Willis Harmon" (The Beatles and the Aquarian Conspiracy).
The Beatles certainly knew how to manipulate a crowd, didn't they?
Here is John Coleman talking about how Theodor Adorno wrote all The Beatles' music after 1967 for the Tavistock Institute: http://www.youtube.com/watch?v=kDELeIgYpQc
Coleman wrote The Committee of 300 about Tavistock and The Beatles.
"Since the launching of the Beatles as an international project via TV in 1963, "rock" has been the most influential recruiter to Satanism. Rock was created, and is still coordinated by Crowley's followers and by the OTO network, in cooperation with Wicca (pronounced "Witch-a"). It is, not so incidentally, also the Satanist's biggest money-maker, and believed to provide the chief logistical support for deployments and other activities of the OTO-Wicca efforts world-wide" (Rense).
To those who wish to escape secular songs for music with a more positive message, I recommend the book The Archivist: Vintage Vinyl Jesus Music 1965-1980 by Ken Scott:
http://www.lulu.com/product/paperback/archivist---4th-edition/4141563.
Pricey Christian records (many pages): http://www.popsike.com/php/quicksearch.php?pagenum=1&searchtext=christian+-death+-ferras+-oliver&incldescr=&sortord=dprice&thumbs=&currsel=
and: http://www.popsike.com/php/quicksearch.php?searchtext=xian&thumbs=&currsel=
Be aware that CCM (Contemporary Christian Music) has been hijacked, twisted, and commercialized (ruined) by the secular industry since about 1980, and should generally be avoided. Also be aware that some conservative Christians consider all "Christian rock" to be spiritually unclean.
Thanks to Gary Bell ("A View from Space") for his information on numerology.
The Beatles' debut. They're already "looking down on us from above".
The balconies, a hidden 6/6/6?
The group's name looks like it's at the bottom of an abyss.
Their handlers probably designed this one.
Even this early album cover has occult imagery.
They have the "One Eye of Horus" showing, which is epidemic on cd covers today, 46 years later.
They are also half in the shadows
(in masonry and taoism, the balance of dark and light=the balance of good and evil)).
Their faces are "illuminated" by the sun.
On the US version, Meet the Beatles, John's dark eye was obscured more.
Once again, their handlers probably designed this one, not the boys.
Here their "long" feminine hair is emphasized.
Messages to the youth: Grow your hair long, rebel against your parents, feminized boys are "cool".
"There they were in America, all getting house-trained for adulthood with their indisputable principle of life: short hair equals men, long hair equals women. Well, we got rid of that small convention for them...perhaps they grew too tired for (morals)." -Paul McCartney, 1966.
Now we have Justin Beiber with the same unisex hair style.
Eight eyes. 8=sun worship.
Here is the rare Dutch version of Help.
Except their semaphore signals don't really say "HELP", they say "NUJV".
Ringo's "V" is really a reversed "K", as you can tell by his reversed jacket buttons.
In the US, they changed it to "NVUJ" ("envy you, Jesus"?).
A hidden 13 in numerology (NVUJ=14+22+21+10=67=6+7=13).
George wears a top hat, symbolic of a Worshipful Master in masonry.
(In some photos, the Beatles all wore top hats).
More importantly, the Shell Oil logo is a symbol of sun worship.
The shell also symbolizes Venus ("Venus and Mars") the Roman goddess of love and lust, aka Aphrodite.
HELP=8/5/12/16. H=8 (the sun worshipper's number), HE=13 (occult), ELP=33 (masonic degrees), LP=record.
So "HELP"=Masonic occult sun-worshipper's record.
8 arms/8 legs/8 sun rays. 8=sun worship.
John Lennon later realized he "was crying out for help" in his song "Help".
Ringo's pose symbolizes "As above, so below".
The original title of "Help" was "Eight Arms to Hold You".
Once again, 8=sun worship.
Also a reference to the eight-armed Hindu goddess Saraswati.
An apt cover for a bootleg.
In the movie Help!, the Beatles sleep in bed "pits" underground, until they are "enlightened" by the sun.
They then rise up out of their "underworld".
To discuss all the occult imagery in the movie "Help" would take an entire blog.
There is a video showing the symbolism of "Help" on YouTube if you can find it.
George gives the masonic "Claw" sign while wearing a masonic tophat.
John has his hand inside his coat, Napoleon style, but hidden by the scarf.
John and Paul give the "hand on the shoulder" sign in the film "Help".
Ringo and Lennon wear their Lenin caps.
Both Lenin and Lennon fancied themselves as "Working Class Heroes" who gave "Power To the People".
All wear black, the colour of the occult and Death worship.
The scarf is a bloody umbilical cord, similar to barber pole symbolism, and a hidden 666.
The scarf joins "All as One".
(Photo © The Second Golden Beatles Album songbook)
On this cover, the Beatles have umbrellas, spiral springs, and brooms.
Indoor umbrellas symbolize defiance of God in superstition.
"Sacred spirals" are prevalent in wicca, and are a hidden "666".
The witches' brooms, well, I'll let you figure that one out yourself.
The four photos also represent spring, summer, fall, and winter in England, the four solstices and equinoxes of paganism.
Here is a "Paul is Dead" clue, with him in a "coffin".
The original photo session for the Yesterday and Today album.
Does this look "sweet and innocent" to you?
An abortion clinic? Ritual sacrifice?
No, it's the Beatles.
More butchery.
The album in the middle has sold for over $40,000 in nice unpeeled condition.
Rubber Soul as it is meant to be viewed, as an occult "oblong square".
It points to Mecca, Solomon's Temple, and Lucifer (Air) in the East, and also follows the path of the Sun from East to South to West.
The North symbolizes darkness (in the northern hemisphere).
According to satanist Anton LaVey, Satan (Fire) is in the south, Leviathan (Water) in the west, and Belial (Earth) is in the north.
It is comprised of triangles symbolizing "As above, so below" (Hermetic theosophy).
Washington, DC is an oblong square. So are the logos for Enron, Dell, and Domino's Pizza.
The center of the masonic square and compasses is an oblong square.
A reprise of their first album's cover art, with the Beatles "looking down on us from above" ("as if we're in a coffin", some have remarked).
This time, the picture is druggy and distorted, and the boys look weary and sad.
The title "Rubber Soul" was inspired by the term "plastic soul", i.e. a shallow, fake soul ("Plastic Ono Band").
"Rubber" is also slang for "condom".
"Soul" backwards is "lous(e)", a beetlesque insect that "gets in your hair".
The bush behind them is a Rhododendron, Greek for "rose tree", as in Rosicrucian ("Red Rose Speedway").
It is also an "evergreen", which has been an occult symbol for thousands of years.
Some have become ill eating honey from Rhododendron bees, which causes a slightly hallucinogenic (drugs) and laxative (note the dung font) effect (as in "A Taste of Honey").
Honey (perfect knowledge) is also the offering for Saraswati (Lakshmi), the eight-armed pagan goddess on the cover of Sgt. Pepper.
Some beetles eat rhododendrons.
The cover of Revolver has John Lennon with a limp wrist, feeling Ringo's bare leg.
Three early titles for the album were "Abracadabra", "Magical Circles", and "Four Sides of the Eternal Triangle" (4 S.E.T.="for Set/satan") (triangle=pyramid=occult).
From "Love" they "Evolve" to a "Revolver" and "Revolution".
The term "revolution" denotes socialism and Communism, revolutions against God.
The Russian pressing of Revolver has a completely different photo collage.
Back of Revolver UK.
The Beatles wear shades indoors to acknowledge the "illumination" of the "sun" (light emanating from John's head).
John is wearing psychedelic "guru garb".
Also note the pyramid with a capstone (turn cover left).
Ringo and George cross their arms. X=sun/Osiris.
Someone "lowered the boom" on John.
The original cover for Revolver was made to be spun around so all the images "merge into one" (as in the occult belief that "We are all One).
The multiple "Eyes of Horus" foreshadow the lines in John's "Across the Universe" about the "million eyes" of the Devas (solar spirits/demons).
John Lennon makes the "devil's horns" ("corna") hand sign.
A Blue Meanie has the occult number 23 on his chest.
Old Fred, perhaps named after sailor Freddie Lennon, makes a "hidden hand" sign.
A Shriner with a fez looks on.
The "circle tree" is a hidden 666.
The tuba is a sun/sex symbol (dot in a circle).
Many characters have the "One Eye of Horus" throughout the movie.
Tagline is the occult belief that "Nothing is Real" (and therefore there is "no good or evil").
Put a mirror under "The Beatles". You will see many hidden symbols.
There will be revealed a hidden "666" and a "69".
"69" refers to Aleister Crowley's perverted "Psalm 69", sex worship, and the astrological sign of Cancer (Ringo Starr is a Cancer, born July 7, 1940).
The mirror image reveals another oblong square, with the Blue Meanie indicating "As above, So below", a blue phallus pointing east, and the Beatles in the Underworld.
Put the mirror on the left side and Uncle Fred is pointing West and East, like the double-headed eagle symbolizing control over the world.
Put the mirror on the right side and the Blue Meanie points to the West and the East.
Even George's hair points to the West and the East.
Put your mirror on the second "e" in "Beatles". It will show a pyramid and say "SoS (heart) 9nine" (John's favourite number was 9).
Change "The" into "TIT" and see the two boobs at the top of a pyramid.
Can you find any more?
© 2010
John gives the "devil's horns" (corna) hand signal once again.
So is Paul saying "Ok"? No, in this occult context he is making a "666" (with his right hand, even though he is left-handed).
Paul's circle symbol is also a yoni (the female anatomy, or sex worship).
Many statues of the pagan god Shiva also have this hand sign.
George and Ringo hold their Atlantean golden phallic symbol.
It has an Eye of Horus on it and eight portholes (yellow=the sun, 8=sun worship: "We sailed up to the sun").
Yes, it's another Beatles "in-joke": Their "children's" song is really a perverted paean to worship the phallus and the Sun.
Eight "balls" for four Beatles on the phallus.
The Beatles called these people their "heroes".
One of their "heroes" is satanist Aleister Crowley.
Other "heroes" include four Indian gurus (occult mysticism), Carl Jung (occult psychology), Edgar Allan Poe (alcoholic horror mystic), Aldous Huxley (globalist, eugenicist, LSD promoter), William S. Burroughs (homosexual junkie murderer), Karl Marx (satanic father of communism according to Marx and Satan), Oscar Wilde (homosexual writer), George Bernard Shaw (racist eugenicist), Lewis Carroll (pedophile), Marlene Dietrich (decadent lesbian singer), James Joyce (alcoholic writer), Lenny Bruce (junkie comedian), H.G. Wells (eugenicist occultist writer), Terry Southern (obscene writer), Sigmund Freud (neurotic father of psychoanalysis), a doll of six-year-old Shirley Temple with a shirt that says "Welcome The Rolling Stones" with blood-stained gloves (implied pedophilia), and a legionnaire from the Order of the Buffalo (behind the standing Shirley Temple).
Notice that Diana Dors' arms are positioned to form two triangles (pyramids).
There is also a doll of the Hindu goddess Lakshmi pointing "as above, so below", a hookah (drug bong), a purple velvet snake (serpent/satan/phallic), Snow White (from mason Walt Disney), a Mexican Tree of Life (usually depicting the serpent satan offering Adam and Eve forbidden knowledge in the Garden of Eden), and a Saturn trophy (sun/satan) near the "L" (90 degree square).
Note Ringo's flat hat ("Here come ol' flat-top") resembling that of 15th century occultist Heinrich Cornelius Agrippa, and George's masonic bicorne hat.
The drum is the "sun" that makes the flowers grow.
The Beatles in black appear to be mourning the "death of the sun" into its earthly grave (sunset), as the ancient Egyptians did.
Or perhaps they are mourning the death of Paul, since the bass guitar made of yellow flowers seems to spell "PAUL?". Notice that John and George are happy while only Ringo and "Paul" are sad.
To the right of "BEATLES" in red flowers appears to be a square and compasses, also in red flowers.
The open palm is a sign of veneration to a "god".
This is why elites wave with their palm facing themselves.
Beatifying a Beatle.
Also two Eyes of Horus above him.
The cover of Sgt. Pepper has the word "Sex" subliminally hidden all over it.
The sunny gatefold of Sgt. Pepper.
Paul and George wear MBEs with four fleurs-des-lis on them.
John has the Royal Coat of Arms of the United Kingdom on his sleeve.
Paul has an OPP badge with a Templar cross on it (Ontario Provincial Police).
Ringo and Paul display "V"s (one up, one down, "as above, so below").
Paul crosses his legs. X=sun worship.
John said "When you look at the cover, you see two people flying through the air, and two not flying through the air".
On the back cover, George points to an "O". "O" is the Sun.
The Beatles also wanted to include their "hero" Adolph Hitler on the cover of Sgt. Pepper, but were not permitted by EMI.
Hitler waits forlornly in the wings, to the right.
If you think this was just John's grim humour, then here's a quote from Paul:
"I had the idea that instead of Hell's Angels, they put up pictures of Hitler and the latest Nazi signs and leather and that.
We went into it just like that: Just us doing a good show" (Beatlesongs p.160).
"Magical", "Mystery", the pentacles, and the rainbow all refer to the occult ("Mystery Babylon", the "rainbow bridge").
Note that "Beatles" in numerology is 2/5/1/20/12/5/19, or January 25th, 2012, at 5:19.
The occult symbols in the MMT booklet would take an entire blog to go through.
13 years to the day after the MMT ep was released in the UK, John Lennon was killed by a mind-controlled assassin.
In the movie, the Beatles are spell-casting witches.
Here are a few of the occult symbols in MMT:
The Beatles' idea of "love" was more about "the love you make" (sex) than real love.
"Make love all day long" ("Love You To").
Notice the "sacred spiral" of wicca once again, a hidden "666".
The spiral also symbolizes the sun, hypnotism, and dizziness ("Dizzy Miss Lizzie").
The drum really says "We love the Sun".
The number "3" is a "Paul is dead" clue (3 Beatles left).
The Beatles cross a black and white crosswalk toward enlightenment in the East on Abbey Road.
The "Fifth Beatle", a Volkswagen Beetle, begun by Hitler, is in the background, another hidden reference to Egyptian scarab beetles.
The album features two sun-worship songs.
Also notice the phrase "Beatles Abbey".
This is "The Church of the Beatles", where the Sun is worshipped (twice) instead of God.
Paul claims that he took off his sandals because they were "too hot".
In actuality, bare feet on pavement are alot hotter than sandals.
The license says 281F (not 28IF) which is an 8 (sun worship) in numerology.
A few feet behind the Beatles crossing Abbey Road (but not on the cover)
was a phallic obelisk with a pagan muse on it.
So a shrine to occult sex worship (and a "negative energy conductor")
was never far away from EMI's Abbey Road studios, or the recordings of The Beatles ("Lucy in the Sky"), Pink Floyd ("Lucifer Sam"), Alan Parsons ("Lucifer") and Radiohead ("Pyramid Song").
A spy-cam at the Abbey Road crossing has been rebranded a "24 hour archive facility".
A rare book that does not blindly worship the Beatles, as most Beatle books do.
This guy caught on in 1965. Most people still haven't caught on, 45 years later.
All cover art © The Beatles. Used for educational purposes only.
Even in the early days, when the Beatles were singing innocent songs like "I Wanna Hold Your Hand" and "I'm Happy Just to Dance with You", they were already popping pills and sleeping with hookers in Hamburg brothels. In other words, they were already hypocrites.
Paul said "a girlfriend (in Hamburg) was likely to be a stripper, so to be suddenly involved with a hard-core striptease artist, who obviously knew a thing or two about sex... it was quite an eye-opener".
"Lennon later related a story to friends about how he had mugged a drunken English sailor in a Hamburg street for money, and after having beaten him so badly, he "left him for dead." (Wikipedia)
The strung-out Beatles show off their tubes of the prescription wake-up pill Preludin in Hamburg.
In the Beatles' early days, Stu Sutcliffe was on bass. He named the Beatles with John. John and Stu wrote this song together: "As I stood on the doorstep of romance, You told me, Then you threw your loving arms around me, and you gave me, yes gave me, you gave Peace of Mind...".
In 1962, at the age of 21, Sutcliffe died from a brain hemorrhage. His girlfriend Astrid Kirchherr wrote her mother: "(John) is in a terrible mood now, he just can't believe that darling Stuart never comes back. He's just crying his eyes out ... John is marvellous to me, he says that he knows Stuart so much and he loves him so much...".
The Beatles having a gay ol' time in 1960.
John Lennon and Stuart Sutcliffe.
Sutcliffe's sister Pauline Sutcliffe claims that John Lennon had a homosexual affair with her brother, and later beat him up out of guilt, and that she has proof. According to her, it was John's blows to the head that caused Stu's death a few weeks later. These theories would certainly explain Lennon's subsequent self-loathing, depression, rage, drug use, and spiritual seeking.
Others, including Stuart's mother Millie, say that Pauline is wrong and Stuart Sutcliffe was beaten up by thugs outside Lathom Hall, whom John helped to defend him against.
Have you ever noticed how all the major groups and artists are surrounded by premature deaths? The Beatles (Stuart Sutcliffe, Brian Epstein), The Rolling Stones, Robert Johnson, Bill Haley & the Comets, Buddy Holly, The Yardbirds, The Doors, Jimi Hendrix, Janis Joplin, The Grateful Dead, The Byrds, The Temptations, Deep Purple, T. Rex, Elvis Presley, Lynyrd Skynyrd, Chicago, Pink Floyd, The Who, The Sex Pistols, AC/DC, Joy Division, Led Zeppelin, Bob Marley, Ozzy Osbourne, The Pretenders, The Beach Boys, Marvin Gaye, Thin Lizzy, The Band Metallica, Rainbow, Styx, Red Hot Chilli Peppers, The Velvet Underground, Mother Love Bone, Steely Dan, Stevie Ray Vaughan, Creedence Clearwater Revival, Def Leppard, Small Faces, Guns N' Roses, Kiss, Queen, Steppenwolf, Black Sabbath, Nirvana, Hole, Blind Melon, Smashing Pumpkins, INXS, The Cars, The Ramones, Run-DMC, The Clash, The Bee Gees, Tom Petty & the Heartbreakers, Pantera, Crowded House, Boston, Bruce Springsteen & the E-Street Band, Marilyn Manson band, Manic Street Preachers, Michael Jackson, The Misfits, Amy Winehouse, Warrant, Weezer, Gwar, Beastie Boys, Whitney Houston, etc. This list does not even include family members or crew members.
They could all be accidental or natural. Then again, it almost seems like "Paying the Piper" is a Faustian prerequisite for success. John Lennon remarked to others more than once that he had sold his soul to the devil (eg. Ray Coleman, Lennon, p.256). So did Bob Dylan and many others.
Stuart Sutcliffe making an Illuminati hand symbol circa 1962,
proving he was about fifty years ahead of the curve.
Stuart Sutcliffe painting of him and John Lennon entwined in an all-male bar.
Rumors about the extent of John's relationship with the Beatles' gay manager Brian Epstein in Spain are still not resolved. John himself said "...the rumors went around that he and I were having a love affair. Well, it was almost a love affair, but not quite. It was never consumated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was a homosexual [i.e. not his first experience with a homosexual]...I was rather enjoying the experience...I liked playing a bit faggy, all that. It was enjoyable...".
John wrote to his friend Pete Shotton "Eppy just kept on and on at me, until one night, I finally just pulled me trousers down and said to him: "Oh, for C-----'s sake, Brian, here, just stick it up me f---ing a---, then." And he said to me, "Actually, John, I don't do that kind of thing. That's not what I like to do." "Well," I said, "what is it you like to do?" And he said, "I'd really just like to touch you, John." And so I let him toss me off, and that was it...".
Incidentally, John grew up on "Menlove Avenue".
In the Movie How I Won the War, John Lennon's character was Mousketeer Gripweed (Disney + a drug reference). At one point, he remarks "May I rub your balls, sir? It gives me great pleasure".
The movie also uses blackface, using racism as a comedy device.
At the end of the movie, Lennon gets shot. He says "I knew this would happen. You knew it'd happen, didn't you?". This may be predictive programming.
Paul remarked "I liked that slightly faggy way we sang...which was very distinctive, very Beatley" (Miles 1997).
John's first musical group name was "The Black Jacks", a weapon for knocking people out. Then "The Quarry Men", because he went to Quarry Banks High. Then Johnny and the Moondogs (the moon is an occult symbol). Then the Nerk Twins (two days only). Then The Beatals. Then The Silver Beetles (silver is a symbol for the moon). Then The Silver Beats, then The Beatles, then The Silver Beatles, then The Beatles once again (thanks to http://www.iamthebeatles.com/article1409.html for this information).
The Beatles gestated in the Cavern Club and then rose up out of the underworld to conquer the earth. In the early days Stu Sutcliffe and Pete Best were more popular with the girls than Paul. After Stu died and Pete was eliminated, Paul became "the cute Beatle".
The name "Beatles" has an Egyptian occult meaning. In ancient Egypt, dung beetles (scarabs) rolling balls of dung (feces) were considered a symbol of the sun god Ra (the Sun King) rolling the sun across the sky every day. Scarabs also symbolized transformation, renewal, and resurrection.
Dung beetles feed exclusively on dung. Some also live in owl dung. Owls are a symbol of the occult (seeing in the dark). The female beetles also lay eggs inside the dung. This mysterious transformation of beetles out of dung also caused them to be revered by ancient Egyptians. They believed that the beetles gave birth without females, like hermaphrodites. In other words, the beetles wallowed in excrement but were worshipped by the masses anyway.
The beetles that roll dung balls are called "rollers". Beatle Paul McCartney had a song called "Let Me Roll It" (which is also a drug reference). The "Sgt. Pepper" cover had Bob Dylan ("Like a Rolling Stone") and a shirt with the message "The Beatles welcome the Rolling Stones". The earth on the cover looks like dung and has "Beatles" growing out of it.
Necrophorus or Sexton beetles (burying beetles) bury the remains of small birds and mice, covered in oral and anal secretions to prevent the smell of rotting flesh from attracting competition, for their larvae. The fur or feathers are used to feather their crypt. The parents may cull their young through infanticide to match the size of the carcass.
Lee Marvin's motorcycle gang in Marlon Brando's "The Wild One" (1953) was called The Beetles. The Beatles wore all leather in their early days, like a biker gang.
Betel nuts (Areca nuts wrapped in Betel leaves) are mild narcotics. John Lennon's favourite author, James Joyce, mentioned using Betel toothpaste in Ulysses in 1904.
Betelgeuse is the eighth brightest star in the sky, one of the largest and most luminous stars known, a staple of astrology.
Dung beetle. These beetles were worshipped as gods in ancient Egypt.
Yes, that's a ball of feces.
Many Egyptian scarab beetle amulets have wings. Paul McCartney's first group was "The Beatles" and his second group was "Wings", so he was a "Beatle with Wings".
Many albums by the rock group Journey featured an Egyptian scarab beetle with wings.
This one is rainbow coloured (rainbow bridge=the occult)
and flying toward an infinity sign (a sideways "8"), symbolizing reincarnation.
The Beatles' "hero", the mystic alcoholic horror writer Edgar Allan Poe, wrote "The Gold-Bug" about a skull-shaped golden scarab beetle which two men drop into a human skull to find Captain Kidd's skeleton-covered pirate treasure. The story is full of coded secret messages.
Paul McCartney's Coat of Arms, viewed from afar, also resembles a dung beetle. George Martin's Coat of Arms has three dung beetles on it.
Paul McCartney's Coat-of-Arms.
Is that the "Blackbird of Death" on the top?
Don't they know that Paul's bass has four strings, not six?
Doesn't this crest look like it was dredged up out of an oil spill?
"Ecce Cor Meum" means "Behold My Heart".
Note the many male/female fleurs-des-lis, symbolizing sex worship and the Priory of Sion.
Sir George Martin's Coat-of-Arms with three beetles (where's the fourth? Is this another "Paul Is Dead" clue, with one beetle squashed by a tire track? Or a John Lennon clue?).
The beetles' legs are 6/6/6.
The bird is a "Martin" that "took the left-handed path" with his "recorder".
Note the fleurs-des-lis in George Martin's crest. The scarab to the left appears to have a kabbalah "Tree of Life" pattern.
A black-and-white zebra (standing on 3 legs, not 4) holds a "crook" to "guide the sheep" (that's us). The hook of the crook is an Omega sign (end times). The crook is also an upside-down cross with a question mark. The words appear to say "for God's empire" but are cut off. "Amore Solum Opus Est" means "Love Is All You Need", as far as I know.
From afar, the crest forms a bird of prey. The helmet is the beak.
Most knights are masons, and both "Sir Paul" and "Sir George Martin" (the Beatles' producer) have been knighted, as well as Sir Elton John and Sir Mick Jagger.
The Beatles' debut in 1963 was the Please Please Me album in England. The first line of their first song on their first album?: "One, two three, four!/Well, she was just seventeen/If you know what I mean...". 17 in numerology is 1+7=8, the sun worshipper's number. The original title of the song was also "Seventeen". Only a few words into their first album, and there's already a hidden sun-worship reference and an underage girl reference. 1+2+3+4=10, the Number of Law, and the Beatles certainly laid down the law for music.
Ringo later went one year younger with his hit "You're Sixteen, You're Beautiful, and You're Mine". The song "Chains" on the debut sounds like an S & M session.
The Beatles' early album releases on Vee-Jay and Capitol had a rainbow circle around the label. The Beach Boys had the same label. The rainbow=the rainbow bridge=the occult and the circle is an oroboros, symbolizing the eternal reign of lucifer (satan) in the occult. Not always, just in the occult. Even later Capitol releases had the target logo, a dot in a circle symbol for sun and sex worship. Their early Capitol singles had a stylized Tao yin yang symbol in yellow and orange.
"Please Please Me" has been called "the first real oral sex pop song" (Tim Riley 1999).
In "Mr. Moonlight", the Beatles pray to the Moon and sing him a love song. This is a few seconds after promising "I'll Follow the Sun". The moon reflects the sun's rays.
Ringo later went one year younger with his hit "You're Sixteen, You're Beautiful, and You're Mine". The song "Chains" on the debut sounds like an S & M session.
The Beatles' early album releases on Vee-Jay and Capitol had a rainbow circle around the label. The Beach Boys had the same label. The rainbow=the rainbow bridge=the occult and the circle is an oroboros, symbolizing the eternal reign of lucifer (satan) in the occult. Not always, just in the occult. Even later Capitol releases had the target logo, a dot in a circle symbol for sun and sex worship. Their early Capitol singles had a stylized Tao yin yang symbol in yellow and orange.
"Please Please Me" has been called "the first real oral sex pop song" (Tim Riley 1999).
In "Mr. Moonlight", the Beatles pray to the Moon and sing him a love song. This is a few seconds after promising "I'll Follow the Sun". The moon reflects the sun's rays.
"Eight Days a Week" is perhaps the Beatles' earliest delve into surrealism. 8=sun worship.
The Beatles' first concert on American soil was for the Ed Sullivan Show on CBS. Note the pagan name Columbia Broadcast System and their All-Seeing Eye of Horus logo.
Mrs. Rockefeller leaves a Beatles concert at Carnegie Hall.
Did the Rockefellers finance the Beatles' takeover of the US?
("Beatles on Broadway")
John sang about Nelson Rockefeller twice on his "Imagine" album.
Robert Whitaker, the man who took the notorious Butcher Cover photos for the Yesterday and Today album, said "All over the world I'd watched people worshipping like idols, like gods, four Beatles. To me they were just stock standard normal people. But this emotion that fans poured on them made me wonder where Christianity was heading". Whitaker had planned to put jewelled silver halos around the Beatles' heads, and use rainbow borders as well (the rainbow bridge again).
"Whitaker explained that (the) picture was intended to demonstrate that the Beatles were not an illusion, not something to be worshipped, but people as real and substantial as 'a piece of wood'..."The idolization of fans reminded me of the story of the worship of the golden calf." (Wikipedia)
The Butcher Cover was released on June 15th, 1966, or 6/6/66 in numerology (-Joseph Niezgoda).
"You've Got To Hide Your Love Away" was reportedly written by John about Brian Epstein's homosexuality, which was still illegal in Britain at the time, and possibly John's own as well.
On the Rubber Soul album, the song "Norwegian Wood (This Bird Has Flown)" is about an affair John had while married to Cynthia (one of many). He "sleeps in the bath" to hide the affair. Isn't it good, knowing she would?
In the song, the "bird" was rumored to be a lesbian.
It was the first pop song with a sitar, and the beginning of the path that led millions of Beatles fans to seek salvation through Eastern pagan gods. (There was also a sitar in the movie "Help").
On Rubber Soul, John also sings about being a "Nowhere Man". "Day Tripper" is a pun by John on a "day trip" and "tripping" on acid.
On "Girl", the boys seem to sing "tit-tit-tit" instead of "dit-dit-dit". The loud inhalation sounds were rumored to symbolize toking a joint. If you look at the sheet music, it actually says "Oooths" where John inhales. In 1970, John said the lines "pain (will) lead to pleasure" and "a man must break his back to earn his day of leisure" were jabs at the Roman Catholic Church.
On the final cut of the album, John threatens his girlfriend to "Run for your life...'cause if I catch you with another man, that's the end, little girl". John also admitted he was "cruel to (his) woman" and "beat her" (John's lines in "Getting Better"). Paul bumped off two girls and a guy in "Maxwell's Silver Hammer", but remember the Beatles were "all about love".
John hated his father Freddie for abandoning him as a baby, yet that is exactly what John did to his son Julian as a baby. John remarked that his son had "...come out of a whiskey bottle on a Saturday night, stuff like that. You think, where's the love in that?" (Julian, Scotsman.com, January 2009). Julian said that "As a father, I don't have much respect for him, and as a person...the message is not the person...it's almost hypocrisy, in a sense. He gave more love to the World than he gave to me, put it that way".
Julian says he only saw John about eight to twelve times after John and Cynthia separated when Julian was three, yet sometimes "He would scare the living daylights out of me and it has affected me in life. If I tried to enjoy life, I'd be told off...I used to smile alot and laugh alot and I really got shouted at heavily for enjoying life...I've only just broken through it in the last couple of years, I wouldn't laugh, I wouldn't smile" ("Pop & Me" dvd, 1999).
John didn't leave his son a penny in his will. Beatle fans tell Julian every day how wonderful his father is and he gets annoyed because he wasn't wonderful to him.
So John "Peace and Love" Lennon abandoned his young son and then verbally abused and terrorized him many of the rare times that he saw him afterwards, when all Julian wanted was a kiss and a hug from his own father. Does this sound like a proselytizer of love to you? Paul was more of a father to Julian than John was, and wrote "Hey Jude" to cheer Julian up (originally "Hey Jules"). Paul and Julian are still friends.
Single from 1965 by John's father Freddie Lennon.
Note the masonic Temple of Solomon checkered border.
"In August 1963, at the Beatles' first major television appearance at the London Palladium, newspapers reported that police had to hold back "1,000 squealing teenagers", but the story was fabricated. The newspaper photo actually only tightly cropped three screaming teenagers and claimed it was a thousand. One reporter who was there later said there were less than eight girls present. There was no "riot" by frenzied teenage girls."
"Similarly, "Beatlemania" hysteria was manufactured at JFK Airport in February of 1964 when the Beatles arrived in the USA to perform for the Ed Sullivan Show."
"Busloads of girls from a Bronx school were PAID by Beatles promoters to scream hysterically when the Beatles got off the plane and went into the terminal. It was a manufactured publicity stunt, but it paid off in priming the pump for the Ed Sullivan Show appearances, which did create a frenzied attitude among many American teenagers and set the stage for a looser rein on moral boundaries and opened the door for kids from "decent" middle class families to start using drugs."
"According to Dr. John Coleman, a disgruntled intelligence agent, Tavistock created the love affair between our youth and the Beatles. It is impossible to understand the frenzy and mass hysteria created by the Beatles without knowledge of mass-psychology and mass-manipulation. Coleman claimed the crowds had been tutored by earlier news footage. When the Beatles first arrived in JFK airport in 1964, busloads of girls from a local Bronx school had been paid to scream hysterically. They duplicated this effort for the first few events, and this trend perpetuated, as all good fads do."
The Beatles' first appearance on Ed Sullivan, on February 9, 1964, was the most watched televised event in the history of the world up to that point (globalism). It was aired on CBS. The CBS (Columbia Broadcasting System) logo is an Eye of Horus. Columbia is a pagan goddess based on Libertas. The American branch of the Illuminati is called the "Columbian Faction". CBS was also the first station to promote rock and roll with "Rock Around the Clock" in 1955.
The Beatles' third tour of North America in 1966 had alot of unsold stadium seats. Their popularity was waning quickly. They stopped touring after their concert at San Francisco's Candlestick Park on August 29th, 1966 to concentrate on studio recording. The poster for their final concert has a Taoist yin-yang symbol featured on it.
Their "All You Need is Love" television special on June 25, 1967 was the first global satellite TV link-up ever (globalism). The Beatles and their handlers wanted the entire world to see the huge yin-yang symbol hanging above them like a giant Sun.
On the single "Lady Madonna", the Beatles mocked Jesus' mother Mary as a welfare mother with a brood of unruly young children, and exposed her breast while they were at it.
On the flip side, "The Inner Light", based on the Taoist Tao Te Ching, the Beatles encouraged their young listeners to use occult mysticism for astral travel, with a drug undercurrent. The picture sleeve depicted them laughing behind a "door of perception" (Aldous Huxley once again). (The Moody Blues also encouraged drug use and astral travel in their song "Legend of a Mind", not to mention Gary Wright's "Dream Weaver". Lennon sang "I was the Dream Weaver" in the song "God".).
"Taxman" begins with the count "1-2-3-4-1-2", a hidden 13. The chorus resembles the "Batman" theme.
In "Elanor Rigby", "No one was saved" by Father McKenzie, portraying religion as ineffective. The music was based on "Psycho" by Bernard Hermann.
"I'm Only Sleeping" has creepy Crowleyan backwards sounds, as do "Tomorrow Never Knows", "Rain", "Revolution 9", and "#9 Dream". The Sgt. Pepper end track, available only on British pressings, seemed to say "Never could see any other way" forwards, and "We f--- like Supermen" backwards. This may have been inspired by "Le Surmale" ("The Supermale") by Alfred Jarry in 1902, about a man with exceptional sexual powers and endurance.
Alfred Jarry also invented Pataphysics, mentioned in "Maxwell's Silver Hammer", in his book "Exploits and Opinions of Dr. Faustroll, Pataphysician" (1911). Linda McCartney mentioned in her book The Sixties that Paul read Jarry's book while writing "Maxwell's Silver Hammer".
Pataphysics is the belief that every event is unique, so if you drop two coins and they both fall, that is just a coincidence. In the book, a man is born at age 63 and dies a year later at age 63. This may have inspired Paul to write "When I'm Sixty-Four". The lead character, Ubu, is infantile, vulgar, and evil, and lives only for self-gratification ("Sit, Ubu, sit"). He has a pointed head and a pagan sacred spiral on his chest.
We are told that the Beatles' backwards sounds were an "accident" by John. Backwards music was recommended by Aleister Crowley to his disciples in 1911 for contacting demons: "Train him to think backwards by external means...Listen to phonograph records, reversed, and let him so accustom himself to these that they appear natural and appreciable as a whole" (Magick).
"Backmasking was popularised by the Beatles, who used backward instrumentation on their 1966 album Revolver" (Wikipedia). Other groups that deliberately used backmasking were Jimi Hendrix ("Are You Experienced"), Pink Floyd ("Empty Spaces"), Electric Light Orchestra ("Fire On High", etc.), Petra ("Judas Kiss"), Queen ("Play the Game"), and Styx ("Heavy Metal Poisoning"). Led Zeppelin had the most notorious and lengthy "unintentional" backwards message ("Stairway to Heaven"). These are all on YouTube.
The Beatles were not only the first pop group to reverse music, and the first to reverse words, but also the most prolific followers of Crowley's advice. John and Yoko even learned to read backwards. Crowley's writings inspired the Beatles to promote Eastern Mysticism as well.
"Love You To" is another sex song, disguised behind "spiritual" sitars and tablas: "Make love all day long...Love me while you can/Before I'm a dead old man" (i.e. "Carpe Diem", seize the day, the oldest seduction trick in the book). "What you've got means such alot to me" (i.e. her body). They went from the innocence of "Love Me Do" to the pick-up lines of "Love You To". The song is also a hidden allusion to group sex (as in "Love You Two", and "Come Together right now over me").
The "Yellow Submarine" is a symbol of the "submerged" golden phallus of Osiris, the Sun King. I've always wondered how their friends can all be aboard if "many more of them live next door"? Between this and "Octopus's Garden", Ringo seemed to spend alot of time underwater. I guess if John was the Sun, and Paul was Saturn, then Ringo was Water, or Atlantis (George=air?).
"She Said She Said" ("I know what it's like to be dead") from the Revolver lp was inspired by an acid-drenched conversation between John Lennon and Peter Fonda.
"And Your Bird Can Sing" may be about Mick Jagger showing off his "singing bird" Marianne Faithfull to John. If so, the song suggests that Mick hit on John. I guess "You Can't Always Get What You Want".
"Doctor Robert" is John's song about a drug dealer, which John said was himself: "I was the one who carried all the pills...in the early days" (Sheff 2000).
"Good Day Sunshine" is another sun worship song. According to the BBC, "Clouds were once removed from the sky so that Paul McCartney could perform Good Day Sunshine at a concert".
"Got to Get You Into My Life" sounds like a love song, but Paul McCartney admitted in 1997 that it is really "an ode to pot" (really an ode to satan: "And then suddenly I see you/Did I tell you I need you/Every single day?"). The last line, in the mono version only, is "What are you doing to my life?".
"Tomorrow Never Knows", originally titled "The Void", was written by John Lennon after taking LSD and reading "The Psychedelic Experience" by Timothy Leary, based on the Tibetan Book of the Dead. It was the first heavily psychedelic (drug) style song.
John tells his fans to "Surrender to the Void". Another upbeat message from John. It is also about experiencing lucifer (who is "shining") and reincarnation. A long way from "Love, love me do/You know I love you", in the wrong direction.
Aleister Crowley recommended the mantra "I am he", which appeared in the Beatles' "I Am the Walrus". Crowley was an "Egg Man" who believed in a Cosmic Egg (the Big Bang/Shiva/Mithras). John sang "I am the Egg Man". "Yesterday" began as "Scrambled Eggs". Paul McCartney & Wings had an album called "Back to the Egg". In the Magical Mystery Tour movie, there is a long row of connected Egg Men marching. Aleister Crowley wrote of "sucking eggs" (oral sex) in his 69th poem. "The Crack In the Cosmic Egg", written by Joseph Chilton Pierce in 1973, was a popular occult guide to alternate realities. Also, egg=fertility=female=sun symbol.
In the Wings song "Uncle Albert/Admiral Halsey", Admiral Halsey probably refers to both Admiral "Bull" Halsey and Admiral Lionel Halsey, an American and a Brit, which makes the "hands across the water" section make more sense.
The Chain of Being ritual symbolizes "The transformation from the One to the All". All join hands with crossed arms ("X"es). This ritual symbolizes the union of mind, spirit, and body across the universe (a John Lennon song). George Harrison said that "We're all One" in "Within You, Without You". Robert Plant said that "All are One and One is All" in his song "Stairway to Heaven".
In "Let 'Em In", most of the names are Paul's relatives. Brother Michael is, of course, Paul's brother Mike "McGear" McCartney. Sister Suzie may be Linda (Suzie and the Red Stripes). Phil and Don are the Everly Brothers. Martin Luther is John or George. Uncle Ernie is the child molestor portrayed by Keith Moon in the movie "Tommy".
Paul's beloved Mull of Kintyre is at the bottom tip of this limpid land structure.
A helicopter carrying 25 British secret agents and 4 others mysteriously crashed there in 1994.
"Live and Let Die", as MI6 secret agent and James Bond writer Ian Fleming would say.
Paul sang "Too Many People" about John, although it also hints at eugenics. "Eat At Home" on Ram is about oral sex.
Lennon remarked in 1972 that "(drugs) don't make you write any better. I never wrote any better stuff because I was on acid or not on acid."
Some of the Beatles' "heroes" that were left off the final cover of Sgt. Pepper were the Marquis de Sade (sadistic sex pervert), Friedrich Nietszche (atheist supremacist), and AntiChrist writer Alfred Jarry, who invented Pataphysics and decorated his apartment with human skulls. They also forgot to include satanist Bertrand Russell: "Bertrand Russell seems all right - I wouldn't mind being like him at all." (Paul McCartney, 1966).
Supertramp wrote their song "Babaji" about one of the gurus on the Sgt. Pepper cover, Mahvatar Babaji. "Mahavatar" means "great avatar".
In "With a Little Help from my Friends", Ringo sings about "get(ting) high with a little help from my friends". He also responds to the line "What do you see when you turn out the light?" with "I can't tell you but I know it's mine". Sounds like a "self-satisfaction" reference. Later, he would also sing "I see the hands a-movin'/But I'm by myself" ("Don't Pass Me By").
On the back of Sgt. Pepper, John is shown "feeling low down", a double hidden-hand symbol. He has the word "love" on his lips, and didn't he always have the word "love" on his lips? On his hands reaching down his pants is also the word "love". On his crotch is the word "yourself", or "love yourself". The word "mind" is also on his crotch, and wasn't his mind often on his crotch? Let's face it, all four of them were consumed by lust.
Three of the hands on the back of Sgt. Pepper form letters. George forms an "L", John forms a "V", and Ringo forms an "E". So where's the "O"? George is pointing to an "O". On the other hand, Paul's coat forms a "I", creating the word "LIVE", or "EVIL" spelled backwards.
Paul's face on the back cover is hidden from view. The lyrics printed on him talk about "People who hide themselves behind a wall of illusion".
"Lucy in the Sky with Diamonds" is, of course, about LSD. John always denied this and said it was based on a drawing by his son Julian. In reality, Julian's painting inspired John's druggy song. Paul admitted the drug references in 2004. Some individuals seem unable to figure out that Julian could show John a drawing by this name and John could be inspired by it to write drug imagery, not just one or the other. "Lucy" likely refers to the androgynous "lucifer" in the sky with "diamonds" (aka "stars", the Dogstar Sirius representing lucifer).
Paul said that "Fixing a Hole" was "another ode to pot", although it can also refer to a "fix" of heroin making a "hole" in the arm. In an interview in Q magazine in 1997, Paul said he was living alone and smoking alot of pot when he wrote it. Drug use is forbidden in the Bible as pharmakeia, a form of witchcraft. According to Paul, a man came to his gate at the time and introduced himself as "Jesus Christ". Paul invited him in, and then took him to the recording session for "Fixing a Hole". He never saw him again.
During the March 21, 1967 recording session for "Getting Better", John was high on acid and told George Martin he was "not feeling well". Martin took him to the roof for some fresh air and went to Studio 2, where Paul and George were. John was hastily retrieved by Paul and George, who knew about his acid trip.
"Within You Without You" is about the occult belief that "We are all One". Are you spiritually connected to Hitler? Of course not. Me neither.
"A Day in the Life" has the drug reference "I'd love to turn you on". The song is about Tara Browne, a friend of John who was the heir to the Guinness ale fortune. Tara was reportedly driving his Lotus on acid and died in a car crash on December 18, 1966. John says he "had to laugh" when he read the tragic news about his friend.
What is "The Fool on the Hill" all about? Sun-cult adepts, like the Beatles, think they can get closer to their god (satan) on the top of a hill. "Fools", indeed. Sadly, "The Fool on the Hill" could also be a mockery of Jesus dying on the cross for us on the hill called Golgotha ("skull"). The song ends with Paul the Fool singing "He knows that they're [we're] the fools" (for not worshipping the sun), and fades to the flute-playing of a Pan character.
Notice that on the Magical Mystery Tour album, "The Fool On the Hill" is followed by the song "Flying" (presumably through drugs, which also get them closer to their "god").
"Hello Goodbye" is about how everything has an equal opposite, and both are necessary. This is the masonic/Tao belief in balance, which includes balancing good with evil. Thus, the yin yang symbol. Look at the poster for the Beatles' final concert at Candlestick Park in San Francisco on August 29th, 1966. You will see a giant yin yang symbol. The Star Wars films also talked about balance, not good conquering evil.
Seeking balance between good and evil means accepting evil, hate, and war as equal to love and peace, a dangerous belief, to put it mildly.
Another Paul drug reference in "Hello Goodbye": "I say high/You say low/You say why?/I say I don't know".
The first two lines of John's "I Am the Walrus" were written on two acid trips. "I Am He" and "I am the Egg Man" are from Aleister Crowley. "Bloody" is a curse referring to Mother Mary. The "pornographic priestess" who "let (her) knickers down" suggests Aleister Crowley's rites. It may also refer to professed witch Yoko Ono. The Priestess and the Joker are both tarot cards as well.
The Rolling Stones' "Rock and Roll Circus", December 11, 1968.
John is wearing a feather boa, sequins, a tutu, and carrying a purse.
John has become the "woman" and Yoko has become the "man".
Keith wears a red Sgt. Pepper-type jacket.
Brian Jones wears a robe covered in occult symbols: Venus, pentacles, hexagrams, cats, lions, fishes, crescent moons (not seen), and druidic jack o' lanterns (not seen).
When John's group "The Dirty Mac" performed, Yoko knelt before them, completely covered in a black sheet.
Luna symbolized the Moon.
Like the Beatles and the Stones, Donyale Luna advocated LSD, but died of a drug overdose in 1979.
Brian Jones' last public performances with the Stones before he died (was murdered) were "Sympathy for the Devil" and "Salt of the Earth", an elitist mockery of Christians (Matthew 5:13), also played at a 9/11 memorial concert in 2001.
They also performed "Jumping Jack Flash" with Brian that night ("I was drowned, I was washed up and left for dead").
Brian drowned at a well-attended pool party.
The Joker card (aka "The Fool", the name of the Beatles' art company) symbolizes "crazy wisdom", like that found in children's rhymes. The Fool often appears with the sun and a dog, and about to "slip into The Void" ("Surrender to the Void/It is shining"), or Nietzsche's abyss, at the cusp of dreadful knowledge.
The Fool card is often the number "zero" (aka "nothing" aka "Nowhere Man"). The Fool card is "the end, and the beginning" ("Tomorrow Never Knows"). He represents a "lack of cohesiveness for the subject at hand". Crowley's Fool "walks on creative light" (Wikipedia). Also recall John often "played the fool" and that the "joker's wild".
"Lucy in the sky" and "choking smokers" are more drug references. "Waiting for the sun" refers to waiting to be "illuminated" to write a song. If it doesn't come, you write "Rain". The Doors' "Waiting for the Sun" is about satan. Bob Dylan wrote a song called "Jokerman".
"Penny Lane" has a vulgar reference to heavy petting in "fish and finger pie". The nurse sells "poppies from a tray" (poppies=surreal=narcotics=Morpheus). James Penny was an 18th century slave trader. The "shelter" is a public toilet.
"Strawberry Fields Forever" has the line "Nothing Is Real". Although the line is pro-drugs, pro-fantasy, and anti-reality, it is much more than that: It refers to the occult belief that life is an Illusion, a Game, a stage with actors ("although she feels as if she's in a play/She is anyway"-Penny Lane), where no one really dies and no one is really hurt, where we are reincarnated until we learn to manipulate The Force (negative energy) on ourselves and others and become living "gods".
May the Force be with you? I hope not. If "nothing is real", then God is not real, and there is no good or evil.
The picture sleeve for "Strawberry Fields Forever" shows the Beatles "illuminated" by the Morning Star (lucifer/satan).
The initials S.F.F.=1966, the year the song was written and recorded, and a hidden "666".
On the White Album, everybody thought the Beatles were joking when they sang "Back in the USSR/You don't know how lucky you are, boys", yet there is their "hero" Karl Marx on the cover of Sgt. Pepper. Marx and Lennon, get it? Lennon was a champion of socialist views ("Power to the People") and often wore a Lenin style hat. H. G. Wells of the socialist Fabian Society is another "hero" on Sgt. Pepper.
In the song "Dear Prudence", John sings to Prudence Farrow: "Dear Prudence (prude)/ Won't you come out to play? (have sex)/ Dear Prudence/ Greet the brand new day (the golden dawn of a new day rising)".
John is Wisdom, so the entwined serpents of Wisdom and Prudence on a phallic rod is the caduceus, symbolizing a god who transforms himself into a snake for the purpose of seducing a goddess (Blavatsky). The Egyptian equivalent of the caduceus is the Scarab beetle.
John chose the quick tempo of "Ob-La-Di, Ob-La-Da" while high on pot (Lewisohn 1988). So remember, kids, "If you want some fun/Take ob-la-di-bla-da".
"Ob-La-Di, Ob-La-Da" has a gender bender, as Desmond becomes a woman in the last verse. The Beatles were gender bending their music as early as 1963, when Ringo sang "Boys/What a bundle of joy". Another Beatles gender bender is: "Sweet Loretta Martin thought she was a woman/But she was another man" ("Get Back"). In the movie "A Hard Day's Night", John sings to Ringo "If I fell in love with you/Would you promise to be true?...". In the same movie, Ringo rejects a beautiful woman, dances with a man, and then buys a trench coat and hangs out with a little boy.
Then there's John Lennon's "Polythene Pam": "You should see Polythene Pam/She's so good lookin' that she look like a man/Well, you should see her in drag dressed in that polythene bag...Get a dose of her in jackboots and kilt (hint: women don't wear "jackboots and a kilt")/She's killer-diller when she's jacked to the hilt (on booze or drugs)...You could say that she's attractively built". "Polythene Pam" glorifies having sex with a drugged-up transvestite. And notice the reprise of "Yeah, yeah, yeah" from their "innocent" days of "She Loves You".
"Everybody's Got Something to Hide Except for Me and My Monkey" is another heroin reference to the monkey on John's back. "The higher you fly/The deeper you go". John encourages his fans "Come on is such a joy" and the Beatles all plead with their fans to join them at the end like side-show hucksters.
"Sexy Sadie" was about John Lennon's disillusionment with the Maharishi in India. It was supposed to be called "Maharishi", but mystic George wouldn't allow him to call it that. Here is a video warning about the Maharishi and yoga (warning: brutal images at the end):
http://www.youtube.com/watch?v=wo9DXbo0BLY
Despite John's disillusionment, the Beatles' "spiritual journey" to India resulted in millions of their fans turning from God to eastern mysticism, astral projection, transcendental meditation, and yoga. Now yoga and meditation centres have proliferated the cities of North America. Satanist Aleister Crowley also wrote Eight Lectures on Yoga.
The public is not even aware that performing yoga and transcendental meditation always pays tribute to pagan gods (demons), with or without the practitioner's knowledge. These spiritually harmful pagan rites would still be a minor fad if not for the Beatles' influence. (Martial arts also venerate pagan gods, but the Beatles did not popularize that one. However, Elvis did.).
Aerobics and quiet time with God (not Shiva, Siva, Buddha, or Krishna) are healthy alternatives to yoga, mysticism and transcendental meditation. God is in the sky, not in the East, so why should we worship the East?
The Beach Boys pushed TM on their fans through their music as well, when they weren't busy having orgies with their young fans or hanging out with their friend Charles Manson. More info here:
http://www.jesus-is-savior.com/Evils%20in%20America/Rock-n-Roll/beach_boys.htm
and here:
http://www.youtube.com/watch?v=79xb6XiR3Mk&feature=related
The Beatles' "Helter Skelter" from the White Album was about the fall of civilization, anarchy, and chaos...and a British carnival slide for children. Ringo Starr said: "'Helter Skelter' was a track we did in total madness and hysterics in the studio". Paul's lead vocals truly sound demon-possessed on this one. I guess Charles Manson got that one right at least.
The song foreshadows the chaos that will accompany the new world order's ultimate rise to power, and the changing of the guard "from the bottom to the top". The so-called elite, high on drugs, are "miles above you" in their delusional fantasies (just like on the covers of "Please Please Me" and "Rubber Soul"). Paul says "Don't let me break you" (torture, mind-control). Bob Dylan also sang "The losers now will be later to win/For the times, they are a-changin'". A later title of Paul's was "Chaos and Creation in the Backyard" ("Ordo Ab Chao").
"Piggies" includes cannibalism, when the "piggies" eat "bacon". An analogy for elite humans eating human flesh.
John Lennon was inspired by a magazine cover to write "Happiness Is a Warm Gun": "I just thought it was a fantastic, insane thing to say. A warm gun means you just shot something, like heroin into your arm." The surreal lyrics are allegedly from another acid trip, and lament Lennon needing another "fix" (of heroin). In 1980, Lennon denied the song had anything to do with drugs.
"Revolution 9" is an apocalyptic song with a title closely resembling the Bible's Revelation 9. It is full of Crowleyan backwards music. "Number 9" creates hidden "666"s throughout the song (51 times, 5+1=6).
In the intro, Alistair (not Crowley) comments on George Martin's sexuality, calling him a "cheeky bitch".
The words "number nine" played backwards seem to say "Turn me on, dead man" (necrophilia). The Bible's Revelation 9 says "...and (the insects') faces were as the faces of men. And they had hair as the hair of women...", "out of (the beasts') mouths issued fire and smoke and brimstone", "and the four angels were loosed...to slay the third part of men".
The "lyrics" of the song "Revolution 9" have references to violence, as do many songs on the "White Album": "intended to die", "slumped down suddenly", "afraid she'll die", "doctors have brought this specimen", ("electric chair" sound), "it was on fire", "we'd better go see a surgeon to price it", "my wings are broken and so is my hair", (fire, laser beams, war, car crash), "thrusting it between his shoulder blades".
The main theme of the "lyrics" in "Revolution 9", however, is a financial conspiracy: "the storage of grain in Hertfordshire", "it's all the same thing, in this case manufactured", "per day in our district", "they may stop the funding", "place your bets", "who's to know? who was to know?", "a business deal falls through/I informed him on the third night, when fortune gives...", "with the situation, they are standing still. The plan, the telegram...", ("electric chair" sound), "a man without terrors from beard to false", "tell me what he was saying, and his voice was low...and his eyes were low", "it was on fire and his glasses were the same/This thing, know if it was tinted/But you know it isn't/To me it is...", "we'd better go see a surgeon to price it", (fire, laser beams, war, car crash), "only to find the night-watchman unaware of his presence in the building", "industry allows financial imbalance", "Eldorado", ""Take this, brother, may it serve you well/Maybe it's nothing/What, what, oh...Maybe even then impervious in London...could be difficult thing".
Many of these lines seem to foreshadow our current global debt crisis, which was in the works for a long time.
The baby sounds may come from "Psychedelic Moods" by The Deep (1966), which also had backwards masking. "Revolution 9" is full of backwards church music. John seems to refer to his father when he says "So I said I'd marry, joined the f---ing navy and went to sea".
The final intelligible line of the "song", Yoko saying "If you become naked", when played backwards, sounds somewhat like "satan, look at me please". After all, isn't that the purpose of this nightmarish piece? To summon demons? In the way prescribed by Aleister Crowley, through chaos and backwards masking?
Charles Manson loved this song. So does Marilyn Manson. Many Beatles fans hate it: "The first time I heard this song, I nearly threw up. Then I couldn't sleep".
After the apocalyptic "Revolution 9", does Ringo's innocent-sounding lullabye "Good Night" perhaps have a more sinister meaning?
"Across the Universe" is about astral travel. John says his words "slither", like a serpent. He says he is "possessed". He says a "million eyes" call him across the universe (devas/demons). "gai guru deva" means "All glory to the Devas".
A "Deva" is a solar spirit in Hinduism, Buddhism, and theosophy (aka a demon) that can only be seen with the "third eye". There are allegedly millions of Devas living inside the sun. John sings of "limitless undying love which shines around me like a million suns" ("Imagine one thousand suns" -Yoko Ono, 1964).
Sounds great, except that luciferians possessed by demons believe that they are pure light and pure love, while they rape, torture, and kill innocent victims. Krishna, the destroyer of worlds, emitted the radiance of a thousand suns in the Bhagavad-Gita.
According to occultist C.W. Leadbeater, the ritual for 30th degree masonry brings forth a "great blue Deva of the First Ray" and in the 33rd degree, two glowing white "Spirits of gigantic size", as well as the "Spiritual King of the World Himself; That Mightiest of Adepts who stands at the head of the Great White Lodge, in whose strong hands lies the destinies of earth" (Codex Magica, page 41). Remember that according to the Bible, "satan disguises himself as an angel of light" (2 Corinthians11:14) and "the ruler of this world (satan)will be cast out" (John 12:31 NKJV). Bob Dylan said he made a deal with the "Chief Commander" to get where he is now, and he wasn't talking about God.
"Daeva", with an "e", are "false gods that are to be rejected" and the "personification of evil" (Wikipedia). "Zoroaster proclaimed that all of the Iranian daevas were demons and deserved no worship. These demons were created by Angra Mainyu, the hostile spirit. The existence of Angra Mainyu was the source of all sin and misery in the universe" (Wikipedia).
So when you sing the chorus of "Across the Universe", you are really worshipping demons called Devas and when you sing "Hare Krishna" in "My Sweet Lord", you are worshipping the "destroyer of worlds". But the Beatles are "all about love".
John donated the original version of "Across the Universe" to the World Wildlife Fund (WWF) to use royalty-free on their record No One's Gonna Change Our World in 1969. It was slightly sped up due to a mastering error. The WWF was largely the creation of a Nazi SS officer (occultist and Bilderberger Prince Bernhard), as well as UNESCO founder and elitist eugenicist Julian Huxley (the brother of Aldous Huxley, who appears on the cover of Sgt. Pepper). The WWF is also responsible for Earth Hour, when lights must be turned off for an hour...or else.
On the Let It Be album, "Get Back" was about "Sweet Loretta Martin" (any relation to George Martin?) who "thought she was a woman/But she was another man". Paul urges her/him to "Get back to where you once belonged" (manhood?). At this time, the Beatles were all growing "manly" facial hair. The song also refers to seeking "California grass", a drug pun.
The Beatles were accused of racism because in one demo of the song, Paul sang "...don't need no Puerto Ricans living in the USA...don't dig no Pakistanis taking all the people's jobs": http://www.youtube.com/watch?v=WcjBF1uj6Do
He says it was a satire of a politician Enoch Powell's "Rivers of Blood" speech in the UK. Like the Beatles in "Taxman", Powell opposed Mr. Wilson Heath. The Beatles also referred to Powell in their unpublished songs "Commonwealth" and "Enoch Powell": http://www.youtube.com/watch?v=VjhQ34h5Cs4 (you can Google the lyrics).
"Maggie Mae" on the Let It Be lp was about a prostitute who robbed a sailor.
George's waltz "I Me Mine" was based on the escaping of earthly desires in the Bhagavad Gita.
"Come together, right now, over me" sounds like an orgy. John wrote it for the political campaign of Crowley-worshipping acid promoter Timothy Leary.
"Octopus's Garden" is another Atlantean Ringo vision, in the style of "Yellow Submarine". "Octo"=8=sun worship. It may also have been inspired by Ian Fleming's James Bond short story "Octopussy" from 1966.
"Maxwell's Silver Hammer" is "a happy song about a serial killer". In 1977, George called it "so fruity".
"Old Brown Shoe" by George is also based on the Tao belief about cosmic opposites being "equal", similarly to "Hello, Goodbye" and "The End".
Why did John stop "I Want You (She's So Heavy)" at precisely 7:44? Combine it with "Revolution 9" at 8:22 and you get 15:66. In numerology, 1+5=6=6:66.
"Because" is freemason Ludwig Van Beethoven's "Moonlight Sonata" played backwards (Aleister Crowley style).
The title "Sun King" refers to war monger King Louis XIV of France. It also refers to Babylonian and ancient Egyptian worship of Osiris and Horus. The lyrics are nonsense sung in Spanish.
"Mean Mr. Mustard" and "She Came In Through the Bathroom Window" both have cocaine references: "Keeps a ten-pound note up his nose" and "Protected by her silver spoon". Presumably it is the transvestite Polythene Pam who "came in through the bathroom window".
The Beatles' songs are full of pagan astrological sun, moon, and star, imagery: "I'll Follow the Sun", "Here Comes the Sun", "Here Comes the Moon", Johnny and the Moondogs, "Sun King", "Good Day Sunshine", "If the sun has faded away" (Any Time At All). "The sun comes shining through" (Nobody I Know). "It's so fine, it's sunshine" (The Word). "When the sun shines" (Rain). "Waiting for the sun/ If the sun don't come..." (I Am the Walrus). "The girl with the sun in her eyes" (Lucy in the Sky with Diamonds). "Good Morning Good Morning", "The fool on the hill sees the sun going down". "We sailed up to the sun" (Yellow Submarine). "Sail me on a silver sun" (It's All Too Much). "Bright are the stars that shine" (And I Love Her). "Yes, I'm gonna be a star" (Drive My Car). "The sun is up, the sky is blue" (Dear Prudence). "Shimmering, glimmering in the sun" (Julia). "One sunny day" (Sexy Sadie). "Now the sun turns out his light...Now the moon begins to shine" (Good Night). "Like a million suns" (Across the Universe). "Everybody saw the sun shine" (I've Got a Feeling). "In the sun" (Two of Us). "We all shine on/Like the Moon and the Stars and the Sun" (Instant Karma). "Gonna get high, high, high/In the mid-day sun" (drugs/sun). "The rain exploded with a mighty crash as we fell into the sun" (Band on the Run). "Beneath the sun" (Mother Nature's Son), "Wild Life", "Mr. Moonlight", "Monkberry Moon Delight", "Reach for the stars/Venus and Mars are alright tonight", "Loup (1st Indian on the Moon)", "C Moon", "Carnival of Light" (Paul McCartney). "Sunshine Life for Me" (Ringo/George 1973). "Hot As the Sun", "Feel the Sun", "Ou Est Le Soleil", "Don't Let the Sun Catch You Crying" (1989), "Back In the Sunshine Again", "See Your Sunshine", "Sun Is Shining", "Light From Your Lighthouse", "Spirits of Ancient Egypt", "Cosmically Conscious" (Paul McCartney). "Child of Nature" (became "Jealous Guy"). "Singing Om", "The Inner Light", "The Light That Has Lighted the World", "Maya Love", "Unconsciousness Rules", "Mystical One", "Devil's Radio", "Breath Away From Heaven", "Between the Devil and the Deep Blue Sea", "Rising Sun", "It was fun hanging onto the moon, heading into the sun...It was fun shooting out of the stars, looking into the sun" (I Want to Come Home). Ring-O Star-Key hung out with Keith Moon of The Who.
Apparently, seventeen Beatles songs mention the sun. 17=1+7=8, the sun worshipper's number.
The Bible forbids astrology, which replaces the love of God with an occult devotion to satan. Why would anyone who loves nature be anti-God, when He is the Creator of nature? Pagans have been deceived.
"The Word", "Got to Get You Into My Life", "Tomorrow Never Knows", "The Inner Light", "It's All Too Much", "Blackbird", "Long, Long, Long", "The Long and Winding Road", and "Let It Be" are all love songs to lucifer. It would take many blogs to explain why, but read the lyrics and you'll see. Some giveaway words are: free/dark/black/night/Void/Light/shining/sun/heaven/love/wings/ flying/possessing/door/road/stream/travel/mind/thought/dream. Free from who? Love of what?
The Beatles began their own label called Apple Records. Like everything they did, it was hardly a random choice. Apples are an occult talisman of protection from demons, similar to the pentagram. The split apple on the label was chosen for its similarity to the female anatomy, among other things. The apple was also satan's fruit of forbidden knowledge in the Garden of Eden. Yoko offered John an apple for 200 pounds at her art exhibit (now $4600). Most of her art is in Tao black and white.
Apple label says "RAM PAUL & LINDA McCARTNEY".
Titles include: "LONG HAIRED LADY/RAM ON/BACK SEAT OF MY CAR".
Side 1 has "3 LEGS/RAM ON/DEAR BOY".
The album cover features Paul posing with a ram.
The ram and the goat are symbols of the fertility cult and satan, another "coincidence".
"Go ahead, bite the big Apple, don't mind the maggots".
To those not familiar with symbolism, this just looks like Paul clowning around.
Actually, the rose symbolizes Rosicrucianism and Paul is "sub rosa" ("under the rose").
He has taken an oath of secrecy to a fraternal secret society.
The rose was chosen because it symbolized Horus (satan), the god of silence in ancient Egypt.
It also symbolizes covert operations.
These are the real reasons why roses were chosen to symbolize royalty and Valentine's Day.
Also a bit of a "Paul is Dead" clue, with a rose "growing" out of his mouth.
FX=6/24=6/2+4=66, symbolizing the Law of Man, idol worship, and the Dark Arts in kabbalah.
In the '60s, John Lennon proclaimed that the Beatles were "more popular than Jesus". In the '70s, he wrote "Imagine there's no heaven" (Who would want to do that? And doesn't imagining that it doesn't exist prove that it does exist?). If there is no heaven or hell, then Jesus didn't come from heaven or die for our sins. If Jesus didn't die for our sins, then there would be no right or wrong. Concepts such as murder would be subjective i.e. "If you think murder is wrong, that's just your opinion".
John also asks us to "Imagine there's no countries...and the world will live as one". Eliminating all borders is a new world order goal, to control the world more easily. This is why there is a United Nations (replacing the laws of sovereign nations), a European Union, and soon, a North American Union. Unions are usually communist in nature. Then John the multi-millionaire with a Rolls tells us to "Imagine no possessions". In communism, land possession is illegal except for the state.
John remarked of "Imagine" that it was "an anti-religious, anti-nationalistic, anti-conventional, anti-capitalistic song". In other words, "Imagine" is Anti-Christ, pro-globalist, and pro-communist. Why is this Anti-Christ song now being performed in churches? Because they are not real churches. (Thanks to http://thelennonprophecy.blogspot.com/ for this quote).
Hopefully John is in heaven, but who knows? Only God.
Lennon said in an interview that "the whole Beatle idea was to do what you want, right? To take your own responsibility, do what you want and try not to harm other people, right? DO WHAT THOU WILT, as long as it doesn't hurt somebody. . ." (The Playboy Interviews with John Lennon and Yoko Ono, by David Sheff and G. Barry Golson, p. 61).
Lennon got this philosophy from satanist Aleister Crowley and atheist supremacist Friedrich Nietzsche. Crowley believed that being sacrificed to satan was a privilege, not harmful. Did the Beatles' influence on millions of young, impressionable fans to explore occult mysticism and take drugs really not hurt anybody?
In 1964, John admitted to Playboy that "None of us believe in God" and added "We're not quite sure what we are, but I know that we're more agnostic than atheistic".
Lennon compared himself to Jesus many times over the years. In the late 1950s, John and Paul started work on an absurdist play about a character named Pilchard ("Semolina Pilchard", aka John) who believed he was Jesus. In the November 1965 issue of New Musical Express, Paul said that it was "about Jesus Christ coming back to earth as an ordinary person". "John regularly poked fun at church dignitaries, parodied hymns, and drew blasphemous cartoons of Christ on the cross" (beliefnet.com). On one occasion in Hamburg, he is said to have peed on passing nuns from his hotel balcony.
In May 1968, John told the other Beatles that he was Jesus Christ reincarnated. In "The Ballad of John and Yoko", John predicted that the press was going to "crucify" him. For "Two Virgins", John and Yoko posed naked to mock Adam and Eve (possibly Virgin Mary and Jesus as well).
In 1980, John said "Part of me suspects I'm a loser and part of me thinks I'm God Almighty. [Laughs.]". Also in 1980, when asked about a Beatles reunion, he replied "Do we have to divide the fish and the loaves for the multitudes again? Do we have to get crucified again? Do we have to do the walking on the water again because a whole pile of dummies didn't see it the first time or didn't believe it when they saw it? That's what they're asking: 'Get off the cross. I didn't understand it the first time. Can you do it again?' No way. You can't do things twice". "No-one I think is in my tree/I mean it must be high or low" (Strawberry Fields Forever).
John envied Christ's popularity and longed to be worshipped like him, so he tried to "compete" with Jesus by growing his beard long, wearing white suits, and proselytizing "peace" and "love". By relying on the occult instead of the true source of peace and love, God, John's message fell flat.
What do a "Revolver", "Run like pigs from a gun", "Revolution", "Helter Skelter", "Your moment to arise", "damned good whackings", being "equipped with a gun...to shoot off the legs of (a) rival", "Maxwell's silver hammer (which) made sure that she was dead", "Surrender to the Void", and the gun-worshipping song "Happiness Is a Warm Gun" have to do with "peace and love", anyway? Not to mention Ringo's "Hand Gun Promos".
In the song "God", John instructed his fans "Don't believe in Jesus...just believe in me, me and Yoko, that's reality". He also sang "God is a concept by which we measure our pain". Lennon blamed God for his hardships instead of his own sins or satan. He was always jealous of Jesus' popularity and mocked him frequently.
In "I Found Out", Lennon sang "There ain't no Jesus gonna come from the sky/Now that I found out I know I can cry/I found out...I seen religion from Jesus to Paul/Don't let them fool you...".
Yoko's Feeling the Space album featured her as the Sphinx of Egyptian mysticism (satanist Aleister Crowley and Crowley admirer David Bowie had similar photographs taken of themselves). Another John and Yoko song was "Do the Oz". Oz is another name for Hell. Aleister Crowley wrote a book called Liber Oz.
Notice two figures (John and Yoko?) buried in the sand up to their necks.
This recalls the masonic oath of "...binding myself under no less penalty than to have...my body buried in the rough sands of the sea at low water-mark".
The inner sleeve of John's "Imagine" lp has another pagan "sacred spiral". The other side has his lyrics presented as the enlightened "rays of the sun". The front cover has clouds in John's head, symbolizing "cosmic consciousness".
John's Dakota apartment in New York, where he was shot to death, appeared in the movie about the anti-Christ being born, "Rosemary's Baby", starring Mia Farrow, whom the Beatles took to India soon after the film's release. The movie's director was Roman Polanski, whose wife Sharon Tate was murdered by the Manson family, based on "instructions" from Beatle songs. Manson felt inspired by The Beatles' songs to murder strangers. Many early Beatles songs were recorded by The Dakotas. Rocky Raccoon was from "somewhere in the mountain hills of Dakota".
In Central Park near the Dakota, along with a phallic Egyptian obelisk, is Yoko Ono's Strawberry Fields Memorial Garden to John. The Imagine design there is a Sun Worshipper's symbol in Tao black-and-white mosaic tiles. I guess Yoko still hasn't figured out that the occult cursed and destroyed her husband's life, and her own.
When Sean Lennon was born on John's birthday in 1975 (his godfather is Elton John), John Lennon became the "housewife" and Yoko Ono became the "breadwinner". Notice that John took Yoko's name (John Ono Lennon) but Yoko did not take John's name. Traditionally, the woman takes the man's name in marriage.
Yoko is a supporter of the eugenicist Georgia Guidestones, which call humans "a cancer on the earth" and encourage the elimination of all but 500,000 humans (approximately 6.4 billion of us to be eliminated). These "Ten Commandments of the Anti-Christ" reveal the true goals of the Green Movement. As Prince Philip said in 1988: "In the event that I am reincarnated, I would like to return as a deadly virus, in order to contribute something to solve overpopulation". Luciferian conspiracies are not quite as harmless as we have been led to believe.
This sun-worshipper's symbol in Central Park is a fitting tribute to John Lennon.
It has exactly 72 yin-yang ovals made of 72 rays, symbolizing the 72 gods (demons) of kabbalah.
36 white rays and 36 black rays. 36 is a hidden 666.
white=black (good=evil).
Notice that the center of the sun design is a "G" (Generation/sex worship).
Also a hidden "I Am" (God complex) and "Enigma" (lucifer/satan).
Yoko's Imagine Peace Tower in Reykjavik, Iceland resembles the 9/11 light memorial.
Both symbolize the light of lucifer, not Jesus the light of the world.
It also symbolizes the "twin pillars of strength" and duality.
The Imagine Peace Tower is lit from October 9 to December 8 and December 21 to 31.
October 9, 1940 was John's birthday.
December 8, 1980 is the day he was killed by a mind-controlled assassin.
December 21 is the winter solstice (birth of lucifer).
Their Satanic Majesties Request by the Rolling Stones was first released on December 8, 1967, 13 years to the day before John Lennon was shot.
13 is an occult number.
Were Brian Jones' and John Lennon's deaths Their Satanic Majesties Request as well?
Lennon briefly became a Christian in 1977. Unfortunately, Yoko "Yes, I'm a Witch" Ono talked him out of (or casted a spell against) his new-found faith:
http://www.christianitytoday.com/ct/2000/june12/34.86.html
As a result, Lennon responded to Bob Dylan's Christian song "You Gotta Serve Somebody" by writing a blasphemous song mocking Christ called "Serve Yourself". Unfortunately, John's "Serve Yourself" philosophy was the same philosophy as Ayn Rand's Objectivism and Anton LaVey's Church of Satan, a philosophy that leads to hell.
Yoko's insistence that she had never heard of the Beatles when she met John is nonsense. No hip Londoner in 1966 was unaware of the Beatles. Yoko was one of the Apple Scruffs (groupies) that sat on the steps of Abbey Road waiting for the Beatles every day, and being ignored by the Beatles every day. "(The Scruffs') game is knowledge and expertise. They’ve built up a reservoir of love and malice...They miss very little of what goes on in Apple. They can polish or demolish your image...To be a good Scruff you have to be two-faced” (Rolling Stone). I believe the Apple Scruffs were financed by the Beatles' handlers to sit on the steps every day, spy on them, and control them.
Suddenly one day, John "fell" for Yoko: "(John) said he loved Yoko, and how he never liked her at first and how different everything seems now" (Rolling Stone). I believe that a black magic spell was involved. John was set up with Yoko to maintain a lifetime of occult control over him. It would not be unfair to call Yoko a jealous control-freak over John. Even when they separated for eighteen months, she maintained control of him through her friend May Pang. However, she did not single-handedly break up the Beatles.
I used to be a Yoko fan and defend her before I realized the negativity she had cursed John and with (he also cursed himself).
Here is a theory that John Lennon fans don't want to hear at all: Jack Chick, creator of the cartoon Chick tracts, correctly states that a man can do good all his life but reject Jesus and go to hell. On the other hand, a man can be evil all his life and sincerely accept Jesus on his death bed and go to heaven.
God doesn't care how many hit records you make. All music either comes from above or below. If it comes from below, God cannot possibly be impressed by it. Did the music you made, or listen to, praise God or blaspheme against Him and praise His enemy? By the end of your life, did you ultimately choose to appreciate Him or to rebel against Him? These are the keys to Heaven and Hell.
Therefore, John Lennon, who rejected Jesus in 1980, could conceivably be in hell and his killer, Mark David Chapman, who has become a born again Christian while in jail, could conceivably go to heaven. Although, like everyone else, I want John to be in heaven, not everything points to that conclusion.
Here is John singing "Serve Yourself" (note the "triple corner" military stripes on his shoulder. His t-shirt has the masonic "Great Seal" from the US dollar bill. He has a pentagram patch on his right shoulder, unseen.):
John's t-shirt above has this masonic Great Seal of the US on it.
Note the occult Seal of Solomon (hexagram) at the top.
13 arrows, 13 leaves, 13 berries, 13 "illuminated" stars, 13 stripes, 13 letters in the motto ("Out of many, one").
The "eagle" is really a phoenix rising from the ashes (new world order, reincarnation).
Paul McCartney was asked about religion in 1963. He replied that he doesn't think about it as "It doesn't fit in with my life". Paul is still into the occult, judging from his book "Paul McCartney Paintings", with titles like "Sea God", "Egypt Station", "Half Red Fog Face", "Skull Face", "Celtic Fertility", "Red Triangle Sand", "Dark Faces", "Robot and Star", and "Insect Face" (a self-portrait?).
A demonic portrait of Crowley-worshipper David Bowie puking vomit on himself, by Paul McCartney.
He has a red lightning bolt (mark of the beast) on his forehead.
A "666" is (not very) hidden in the corners.
The name of this fine art is "Bowie Spewing".
© Paul McCartney
Ringo Starr's occult devtion was directed more toward Dracula and Frankenstein. He produced the dreadful movie Son of Dracula, starring two of his friends who died tragically young, Keith Moon and Harry Nillsson. The video for "Back Off Boogaloo" was an early horror rock video, starring Frankenstein. It predated even "Thriller" by Michael Jackson. Ringo also portrayed himself as an alien from outer space on the cover of his "Goodnight, Vienna" album. In the 1968 movie "Candy", he portrayed a rapist gardener. The pentacle has symbolized him for decades.
Ringo's solo album shows him next to a fallen angel (demon) that resembles him.
In the back row, he is literally a puppet of a spell-casting wizard (satan).
(He also sang a song called "Puppet" in 1998).
The title has a reflection, symbolizing the spirit world: "As above, so below".
George has a yellow "Om" balloon, symbolizing sun-worship.
Yoko is in a bag.
"Duit On Mon Dei" is "Do It On Monday" (not today).
"Mon Dei" is "My God", so it also says "Do It On My God".
It's a spoof of King Richard I's "Dieu Et Mon Droit" ("God and My Right") from 1198.
It refers to royalty's alleged Divine Right to do whatever they want (or "Do What Thou Wilt" in Crowleyan).
Remember that Ringo's real name is also Richard.
John Lennon wrote the self-worshipping song "I'm the Greatest" for the Ringo album.
It also contains Ringo's song "You're Sixteen", about picking up underage girls in his car.
In "Devil Woman", Ringo sang "You're like the devil with the horns in your head/The only way I'll get you is to get you in bed" and "I wanna beat you up". Presumably he was still singing about the 16-year-old, since both songs were on the same single.
The video for "You're Sixteen" featured Carrie Fisher (Princess Leia) magically floating around, and a Temple of Solomon checkerboard floor: http://www.youtube.com/watch?v=CYe7TYB0da8
(Thanks to http://www.jpgr.co.uk/pctc252.html for their information).
Ringo sang "Snow Up Your Nose for Christmas" (on a children's record) in 1977. This was three years after "The No No Song", where he sang "She held out a ten pound bag of cocaine/She said it was the finest in the land/And I said, "No-no-no-no, I don't sniff it no more/I'm tired of waking up on the floor/No thank you please, it only makes me sneeze/Then it makes it hard to find the door".
He also sang "You Can't Fight Lightning" with Paul. Lightning is a common symbol for satan, who fell from heaven like lightning in the Bible.
Ringo makes a masonic pose on the cover of his "Starr Struck" album.
On "Time Takes Time", he is at the center of a mystical mandala, and holding up the world in the corner (he really does think he's The Greatest, doesn't he?). Other pagan elements on the cover are the sun, the moon, stars, a dragon (serpent/satan) playing the piano, and an owl (symbol of forbidden knowledge because he can "see in the dark") playing yin-yang drums at the top.
On "Vertical Man", Ringo's "open mind" has three shining pyramids with the "Eye of Horus" on them, as well as an alien, druidic jack-o'-lanterns, the sun, moon, stars, and other elements.
On "I Wanna Be Santa Claus", Ringo is shown with green skin, like Osiris, as well as holly that was sacred to the druids.
In 2010, Ringo is still singing the lecherous, misogynistic "Who's Your Daddy?/I'll drop you to the floor" with 23-year-old Joss Stone. Some things never change.
On the Dick Cavett Show in 1971, George Harrison talked about the group "The Marmalade" being caught having orgies with young fans, and added "everybody is doing it".
George encouraged Apple records to release a song called "King of Fuh" (the "Fuh King") by Brute Force, which has sold for over five thousand dollars. He also had the occult belief in "the Divinity of Man".
In "My Sweet Lord", George tricked the listener into thinking that George was singing about God or Jesus with the chorus of "Hallelujah". As the listener began to sing along, George changed the chorus to "Hare Krishna". According to the Hindu scriptures, the Bhagavad Gita, Krishna called himself "the destroyer of worlds". George has manipulated us from praising the Creator of the Universe to praising the Destroyer of Worlds. He was quite proud of this ruse and laughed at its recollection.
"Soft-Hearted Hana" by George was about a psychedelic mushroom experience in Maui.
Notice that on George's box set "The Dark Horse Years: 1976 to 1992", he sings "Cloud 9" followed by "Here Comes the Sun/My Sweet Lord". That says it all, doesn't it?
George never broke free from his devotion to eastern mysticism. In his song "Brainwashed" from 2001, he was still chanting to pagan gods with his son Dhani.
Paul was also into mysticism, mixed with sex. He "had a meditation chapel built in his garden around 1967 which contained a circular bed donated to him by Groucho Marx." Jane Asher left Paul after she found him in bed with another woman there in 1968.
George died of cancer from smoking. How many Beatle fans, encouraged to smoke by their idols the Beatles, later died of cancer? Here is George and John encouraging their young fans to smoke. John also makes a requisite gay reference:
In John's defence, on the White Album, in the song "I'm So Tired", after he "(lit) another cigarette", he did "curse Sir Walter Raleigh" who had introduced tobacco to England in 1600.
George pays hommage to his beloved "Sun King" on the cover of Time magazine's memorial to George's life.
He also gives a hidden "F.U." to his fans.
Two Beatles albums are called Past Masters Vol. 1 & 2. "Past Master" is a masonic term for a former Grand Master of a masonic lodge.
Another release is The Beatles Live at the BBC. In numerology, BBC=223, a hidden 322, the number of Skull and Bones. For further information, look up Genesis 3:22 in the Bible. Also notice that Sherlock Holmes lived at 221B Baker Street. B=2, so 221B=223, a hidden 322.
On September 9th, 2009, "The Beatles: Rock Band" and their "re-Mastered" albums were released. Notice that the release date was 9/9/9, a hidden "666". Are the albums being re-Mastered, or us?
John's "Imagine" album was released on September 9th, 1971, a 9/9/9 in numerology (1+9+7+1=18=1+8=9) (from Joseph Niezgoda).
John was the result of a broken home, as so many spiritually lost celebrities are. Aleister Crowley called families "Enemy Number One" in blocking his emerging Age of Horus (satan). Every time you see an ad with one eye in it, that is a symbol of Crowley's Age of Horus.
John's father Freddie Lennon was a ship's waiter who abandoned his wife and young child for the sea before John was even born. In Freddie's defence, he wanted to stay but Julia told him to leave. Freddie's meagre child support payments soon ceased completely. John's promiscuous mother, Julia, who was still married to Freddie, merely picked up with another alcoholic waiter, permanently dumping her son John on her sister Mimi.
When Pete Shotton first met Julia when he was thirteen, she began stroking his hips, saying "Ooh, what lovely slim hips you have!" and giggling (John Lennon In My Life, page 37). Julia was unfortunately hit by a car and died in 1958. Freddie came back after John hit the big time, looking for a slice of his pie, and even recorded a couple of songs to try to cash in on John's success.
Satanist Harry Potter wears the same intellectual "granny glasses" as John Lennon wore, as well as a Nazi sig rune lightning bolt (mark of the beast) on his forehead. Perhaps Harry Potter's eyewear was based on John Lennon's, which was standard issue for boys' schools in England in the 1950s.
"Are you aware of brainwashing techniques incorporating constant repetition, which are not only capable of blocking out creative thought, but can also join limited thoughts with pleasurable emotions so that they are mentally linked together?" -http://suckmybeatles.com/
What was the Beatles' real "legacy" to the world? Music that never acknowledged God's gifts or Jesus, but increasingly over the years glorified drugs, occult mysticism, and perverted sex ("Why Don't We Do It In the Road"). Music with a demonic spirit that people like Charles Manson were influenced to commit heinous crimes to. Why wasn't Manson motivated by Christian hymns? Because they don't have that demonic spirit in them.
This is a recurring pattern in pop culture. Elvis started out relatively innocent and then began reading from satanist Madam Blavatsky on stage in his later years. U2 began as an alleged "Christian" band but now their shows are full of occult imagery. See my blog for details:
Madonna and Britney Spears both began their careers as alleged virgins at the age of 18. Now they've been "empowered" by sleeping with virtually everything that moves. Christina Aguilera appeared pretty harmless in her early days. Now she's making videos as a bald satan-worshipping S & M freak. In Lady Gaga's early videos, she was normal. Now she's an immoral nightmare. Rope 'em in with innocence until they trust you, and then spring the heavy stuff on 'em. They'll never catch on.
I'm not saying that the Beatles never did anything positive or uplifting, I'm saying that they have been way too overrated by a public that has lost its power of spiritual discernment.
"Monkey See, Monkey Do", as Ringo once sang.
Most people missed Paul McCartney's song from 2009, "(I Want To) Come Home". Here are some of the lyrics (© Paul McCartney):
"...It was fun hanging onto the moon, heading into the sun,
but it's been too long. Now I wanna come home.
but it's been too long. Now I wanna come home.
Came so close to the edge of defeat.
But I made my way in the shade, keeping out of the heat.
It was fun shooting out of the stars, looking into the sun,
but it's been too long. Now I wanna come home...
Home. To the place where the truth lies waiting,
we remember who we are. For too long I was out on my own.
Every day I spent trying to prove I could make it alone...
Yeah, it's been too long, now I want to come home.
Been too long, now I want to come home."
The lyrics are strongly reminiscent of The Beatles' sun and moon-worshipping days, and Paul's desire to leave that all behind. It's wonderful news that Paul finally realizes he cannot "make it alone", but the video is still full of occult imagery, so it is unclear where he thinks his "home" is. "Once there was a way to get back home". He says he "shot out of the stars", like a Star Child (2001: A Space Odyssey). He "slips into the shade", a reference to the song "Rain". What happens when you "stare at the sun" (worship the sun)? You're blinded to reality. U2, another sun-worshipping group, also sang about "staring at the sun". Paul wearily repeats the last line, Robert Frost-style. He's gonna "Carry That Weight a long time" without Jesus.
In the video, Paul is wearing a black-and-white checkered vest (Temple of Solomon). Then two "crucifixion" poses, with a hand "pyramid" before the second. Heather Mills has a rose (Rosicrucian). Masonic "square and compasses" design below the ten steps. Black and white scarf. Scottish tam (Scottish rite). Ringo has "One Eye of Horus", followed by five more Beatles' "Eyes of Horus" in a row (six total). White horses (Conquest/Pestilence/heroin). Four horsemen are shown (the Apocalypse). WOWOW=66666 in numerology. Temple of Solomon vest. Two "pyramids" to the left as they kiss. Paul "cops a feel". Triple sun reflection. Paul wears a Wells-Fargo badge at Shea Stadium (Seal of Solomon). Masonic pillars. Gold disc=sun. Paul makes a kabbalah "shin" (W=satan).
There are at least four names for satan in the name "The Beatles": "Beel" (Beelzebub), "Bal" (Baal/Nimrod), "Set" (Egyptian god of the underworld), and "Beast", satan in the Bible (or "Le Beast"). Also hidden in "Beatles" is "Beale St". Beale Street in Memphis, Tennessee, is the "Home of the Blues", and the blues is the father of rock and roll.
I am not suggesting that every symbol in this article was purposely created by the Beatles or their handlers, some were unintentional, and others are pure speculation on my part, although I believe that over fifty percent were intentional.
"...The Beatles opened up a Pandora's Box when they hit the United States with their druid/rock beat in the 1960s. Then they became so popular that they were able to turn our young people on to the Eastern religions. The floodgates to witchcraft were opened. The U.S. will never recover...it was well planned." "What kind of musical instruments did the druids have?" "They used a flute, a tambourine, and a drum covered with human hide." (Spellbound?, 1978).
The Beatles used a flute on "You've Got to Hide Your Love Away", "The Fool on the Hill", and "Strawberry Fields Forever" (Mellotron flute). They used a tambourine and drums on almost every song. Led Zeppelin's "Stairway to Heaven" (really Hell) also used flutes, tambourine, and drums. The groups Jethro Tull and Focus used flute, tambourine, and drums on almost every song they played.
"The Beatles were an experimental group sponsored behind the scenes by British and U.S. intelligence. Their role was intended to use various psy-op mechanisms and anti-Christian messages to arouse turmoil and psychological trauma in society" (Codex Magica by Texe Marrs, page 466).
"An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the "advent" of the Beatles. The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware".
"When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake. The Beatles were an integral part of "The Aquarian Conspiracy", a living organism which sprang from "The Changing Images of Man", URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report prepared by SRI Center for the study of Social Policy, Director, Professor Willis Harmon" (The Beatles and the Aquarian Conspiracy).
The Beatles certainly knew how to manipulate a crowd, didn't they?
Here is John Coleman talking about how Theodor Adorno wrote all The Beatles' music after 1967 for the Tavistock Institute: http://www.youtube.com/watch?v=kDELeIgYpQc
Coleman wrote The Committee of 300 about Tavistock and The Beatles.
"Since the launching of the Beatles as an international project via TV in 1963, "rock" has been the most influential recruiter to Satanism. Rock was created, and is still coordinated by Crowley's followers and by the OTO network, in cooperation with Wicca (pronounced "Witch-a"). It is, not so incidentally, also the Satanist's biggest money-maker, and believed to provide the chief logistical support for deployments and other activities of the OTO-Wicca efforts world-wide" (Rense).
To those who wish to escape secular songs for music with a more positive message, I recommend the book The Archivist: Vintage Vinyl Jesus Music 1965-1980 by Ken Scott:
http://www.lulu.com/product/paperback/archivist---4th-edition/4141563.
Pricey Christian records (many pages): http://www.popsike.com/php/quicksearch.php?pagenum=1&searchtext=christian+-death+-ferras+-oliver&incldescr=&sortord=dprice&thumbs=&currsel=
and: http://www.popsike.com/php/quicksearch.php?searchtext=xian&thumbs=&currsel=
Be aware that CCM (Contemporary Christian Music) has been hijacked, twisted, and commercialized (ruined) by the secular industry since about 1980, and should generally be avoided. Also be aware that some conservative Christians consider all "Christian rock" to be spiritually unclean.
Thanks to Gary Bell ("A View from Space") for his information on numerology.
Do you see any similarity between this 1963 Parlophone Beatles sleeve...
...and the occult geometry of this book cover from the year 2000?
John Lennon, Eye of Horus and sun worship symbol.
Photo: Robert Whitaker.
Patch from Paul McCartney's New World Order tour in 1993.
Paul's Eye of Horus dvd cover from 2007.
At least three "Paul is Dead" clues are seen:
The Paul in the centre with a guitar looks like he's been "hanged",
the Paul to the right with a rose in his mouth lying prostrate looks sickly,
and, strangest of all, the "upside-down" Paul with a slash through his head.
The Paul in the pupil creates a reptilian slit iris.
A pair of breasts is seen at the bottom right.
"Here Comes the Sun".
Harmless fun?
John, George, Stuart Sutcliffe, Brian Epstein, Linda, and Maureen are gone. Please pray for Paul, Ringo, Pete Best, George Martin, Yoko (yes, Yoko), Cynthia, Julian, Sean, Olivia, May, Dhani, Stella, Zak, Jason, Lee, and the others.
(and, yes, Paul is alive!)
If you ever become weary with all the evil in the world, I urge you to seek God.
© 2010
recommended reading: http://logosresourcepages.org/Music/beatles.htm
Rare photo of John with his eyes open.
Julian Lennon wearing a sun worship symbol and making an Eye of Horus.
Two Hidden Hands.
George Harrison in drag promoting transvestism.
John Lennon in drag sleeping with Paul for
A MidsummerNight's Dream in 1964.
A "T" on his shirt (Thisby/Tau cross).
Paul's "P" plus John's "T"=Chi Rho cross.
George and Ringo wore black crescent moons.
Paul's Eye of Horus in the "Strawberry Fields Forever" promotional film,
pledging allegiance to lucifer.
Ringo's Eye of Horus in the same film.
John's Eye of Horus.
The only Beatle who did not pledge allegiance to lucifer in the film was George Harrison.
He made up for it many times before and since.
Another Eye of Horus from John,
in case you missed all the others.
The psychedelic Beatles, by Richard Avedon for Time magazine.
John's zonked-out eyes say "Nothing is Real".
Ringo has a dove, a symbol of satanist Aleister Crowley's O.T.O.
George pays reverence to the mystical Eye of Horus.
John Lennon in a tutu, promoting transvestism again
for the Rock and Roll Circus.
Julian Lennon making an Osiris sign
at the John Lennon Peace Monument ceremony in 2010.
There are two ways to attain peace:
Eternal peace through God
or temporary peace from the slavery of a luciferian New World Order.
We are taught that everybody loved the Beatles. Not so.
"Have no fellowship with the unfruitful works of darkness, but rather reprove them." Ephesians 5:11
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